Diyo Bali Sanjha Ko Lyrics: A Celebration of Tihar and Prosperity

 

Diyo Bali Sanjha Ko Lyrics: A Celebration of Tihar and Prosperity

The melody "Diyo Bali Sanjha Ko," sung by the unbelievable Asha Bhosle, holds a unique spot in the hearts of Nepali individuals. Highlighted in the notorious Nepali film Chino, this melody catches the quintessence of the Tihar celebration, quite possibly of Nepal's most energetic and significant festival.

    Its genuine verses, pleasant piece, and social importance have made it an immortal song of devotion for the celebration of lights.

     

    Tihar: The Celebration of Lights and Flourishing

    Tihar, otherwise called Deepawali, is a five-day celebration celebrated with tremendous bliss and commitment in Nepal. It is when homes are illuminated with candles, oil lights (diyas), and electric lights, representing the triumph of light over haziness. The celebration respects different divinities, including Goddess Lakshmi, the goddess of riches and flourishing. Families enhance their homes with blossoms, brilliant rangoli examples, and sparkling lights to welcome Lakshmi into their lives.

    दियो बाली सांझको

    फुल सजाई पूजाको

    दियो बाली सांझको

    फुल सजाई पूजाको

    माता लक्ष्मी बसिदेउ आज

    घर संसार सानो हाम्रो

    दियो बाली सांझको

    फुल सजाई पूजाको

    सरस्वती भई बिया देउ

    दुर्गा भई रक्षा गरिदेउ

    अशान्ति को कालो रातमा

    प्रकाश शान्ति को छरिदेउ

    हो अशान्ति को कालो रातमा

    प्रकाश शान्ति को छरिदेउ

    दियो बाली सांझको

    फुल सजाई पूजाको

    माता लक्ष्मी बसिदेउ आज

    घर संसार सानो हाम्रो

    दियो बाली सांझको

    फुल सजाई पूजाको

    नास्वान शरीर चोला मान्छेक

    बुझ्दैन भेउ जन्म मरनको

    जन्मनु परे संसारमा फेरि

    संगै जन्मु यही वर देउ

    हो जन्मनु परे संसारमा फेरि

    संगै जन्मु यही वर देउ

    दियो बाला सांझको

    फुल सजाई पूजाको

    माता लक्ष्मी बसिदेउ आज

    घर संसार सानो हाम्रो

    दियो बाली सांझको

    फल सजाई प्रजाको

    The tune Diyo Bali Sanjha Ko typifies the excellence of Tihar, depicting the lively customs and petitions that unite families and networks during this unique time.

     

    Verses of "Diyo Bali Sanjha Ko"

    The verses of the tune perfectly depict the climate of Tihar, from lighting lights to offering supplications with blossoms. Here is the finished verse:

     

    Diyo bali sanjhako

    Fula sajai pujako

    Diyo bali sanjhako

    Fula sajai pujako

    Mata Lakshami basideu aaja

    Ghar sansar sano hamro

    Diyo bali sanjhako

    Fula sajai pujako

     

    Saraswati vai bidhya deu

    Durga vai rakshya garideu

    Aashantiko kalo ratma

    Prakash shantiko chharideu

    Diyo bali sanjhako

    Fula sajai pujako

    Mata Lakshami basideu aaja

    Ghar sansar sano hamro

    Diyo bali sanjhako

    Fula sajai pujako

     

    Naswan sharir chola manchheko

    Bujhdaina veu janma maranko

    Janminu pare sansarma feri

    Sangai janmu yahi bara deu

    Ho janminu pare sansarma feri

    Sangai janmu yahi bara deu

     

    Diyo bali sanjhako

    Fula sajai pujako

    Mata Lakshami basideu aaja

    Ghar sansar sano hamro

    Diyo bali sanjhako

    Fula sajai pujako

     

    Investigating the Significance Behind the Verses

    1. Lighting Lights and Beautifying Homes

    The initial lines, "Diyo bali sanjhako, fula sajai pujako," clearly portray the upbeat demonstration of lighting oil lights and adorning raised areas with blossoms. This is a focal practice of Tihar, as it connotes inviting light, energy, and success into one's home. The gleaming lights address trust, and their situation around the house is an image of insurance from dimness and cynicism.

     

    2. Summoning the Endowments of Goddess Lakshmi

    The lines "Mata Lakshami basideu aaja, ghar sansar sano hamro" express a modest supplication to Goddess Lakshmi to favor the family with riches and congruity. Tihar is a chance to respect Lakshmi, and this melody flawlessly mirrors the otherworldly association between the fans and the goddess.

     

    3. Looking for Information and Assurance

    The verses further summon the endowments of different divinities, like Goddess Saraswati for intelligence and Goddess Durga for assurance:

    "Saraswati vai bidhya deu, Durga vai rakshya garideu."

    This mirrors the complex idea of Tihar, which celebrates various parts of life, including schooling, strength, and security.

     

    4. Spreading Harmony In the midst of Murkiness

    In the line "Aashantiko kalo ratma, prakash shantiko chharideu," the melody discusses dispersing the murkiness of distress and spreading the illumination of harmony. This all inclusive message resounds with the celebration's soul, which unites individuals and encourages love and congruity.

     

    5. Pondering Life's Brevity

    The later refrains dive into philosophical thoughts about existence and passing:

    "Naswan sharir chola manchheko, bujhdaina veu janma maranko."

    These lines help audience members to remember life's temporariness and the significance of valuing minutes with friends and family. The wish to be renewed together in the following life underlines the worth of familial bonds and harmony.

     

    Why Is This Tune a Tihar Number one?

    "Diyo Bali Sanjha Ko" has become inseparable from Tihar festivities because of multiple factors:

     

    Social Importance

    The tune's verses impeccably catch the quintessence of Tihar, making it an essential piece of the celebration's soundtrack. Whether it's during Lakshmi Puja or family social affairs, this tune upgrades the happy climate.

     

    Melodic Appeal

    Asha Bhosle's profound voice adds an immortal enticement for the tune. Her perfect version makes it a request as well as a sincere articulation of bliss and appreciation.

     

    Visual Portrayal

    In the film Chino, the tune is perfectly picturized, displaying conventional Tihar embellishments, family solidarity, and the celebratory state of mind of the celebration. This visual association further fortifies its relationship with Tihar.

     

    A Staple for Lakshmi Puja Recordings

    Many individuals use Diyo Bali Sanjha Ko in their Lakshmi Puja recordings. Its heavenly verses and alleviating song make it the ideal ambient sound for catching the profound and tasteful excellence of the celebration.

     

    The Soul of Tihar Through "Diyo Bali Sanjha Ko"

    Tihar is something other than a celebration; it's a festival of life, light, and love. The melody Diyo Bali Sanjha Ko fills in as a sign of the qualities Tihar epitomizes: appreciation, congruity, and expectation for a more promising time to come. By regarding Goddess Lakshmi and spreading light, Tihar trains us to see the value in the gifts we have and take a stab at flourishing and harmony.

     

    The melody's proceeded with notoriety is a demonstration of its general allure. Whether it's the sincere petition to Lakshmi, the wish for shrewdness and assurance, or the philosophical reflection on life, the melody resounds with audience members on different levels.

     

    End

    "Diyo Bali Sanjha Ko" is something other than a melody; it's a festival of Nepali culture and custom. Its verses delightfully delineate the meaning of Tihar, making it a valued piece of the celebration. Consistently, as families light their lights and proposition their requests, this tune fills in as a pleasant scenery, improving the profound and merry experience.

     

    Through its immortal song and significant message, Diyo Bali Sanjha Ko keeps on illuminating hearts, similarly as the lights of Tihar enlighten homes across Nepal.


    Reference

    Kehi Mitho Baat Gara Lyrics: A Beautiful Song by Narayan Gopal

     

    Kehi Mitho Baat Gara Verses: A Delightful Tune by Narayan Gopal

    Narayan Gopal is quite possibly of Nepal's most cherished and notorious vocalist. Known as the "Misfortune Ruler of Nepali Music," his tunes have contacted the hearts of millions. One such ageless magnum opus is "Kehi Mitho Baat Gara" (How about we Talk Pleasantly). This tune flawlessly catches feelings like love, yearning, and the momentary idea of time.

      In this blog, we'll investigate the tune's verses, harmonies, meaning, and its social importance.

       

      Why "Kehi Mitho Baat Gara" Sticks Out

      This melody, in the same way as other of Narayan Gopal's works, has an approach to interfacing with audience members on a profoundly close to home level. The verses, written in basic yet strong words, remind us to love the current second since life is transient. The melody stresses the significance of affection, association, and tracking down delight in little minutes.

      The music, matched with Narayan Gopal's deep voice, makes this tune extraordinary. Its tune is mitigating, and the verses urge audience members to think about the magnificence of connections and the certainty of detachment.

      केही मिठो वात गर रात

      त्यसै ढल्किदै

      केही मिठो वात गर रात

      त्यसै ढल्किदै

      भरे फेरी एकान्तमारुनु

      छदै

       

      केही मिठोवात गर रात

      त्यसै ढल्किदै

      रमाइलो कुरागर सपनाको

      कुरा गर

      रमाइलो कुरा गर सपनाको

      कुरा गर

      संगसंगे बिताएको

       

      सम्झनाको कुरा गर

      सम्झनाको कुरा गर

      दुख छोड दुखलाई

      जिन्दगानी छदै

      भरे फेरी एकान्तमा रुनु

      छदै

      केही मिठो वात गर रात

      त्यसै ढल्किदै

      आऊ नाचौं अँध्यारोमा

      जुनकिरी नाचे जस्तै

      आऊ नाचौं अँध्यारोमा

      जुनकिरी नाचे जस्तै

      बतासमा उडौं आज

      सिमलको भुवा जस्तै

      सिमलको भुवा जस्तै

      दुई कदम साथ हिडौं

      छुटिनु छदै

      भरे फेरी एकान्तमा रुनु

      छदै

      केही मिठो वात गर रात

      त्यसै ढल्किदै

      Grasping the Verses

      The verses of "Kehi Mitho Baat Gara" pass on a genuine message. Here is a breakdown of its refrains and their importance:

      Stanza 1:

      r

      Duplicate code

      F Am C F

      Kehi meetho baat gara, raat tyasai dhalkidai cha

                   Bb F Bb F

      Bhare pheri yekantama runu ta chadai cha

      Interpretation:

      We should talk pleasantly; the night is getting endlessly.

      Afterward, when isolation returns, there will be tears to cry in the future.

      This refrain catches the pith of the melody. It features the transient idea of time and the certainty of dejection. The speaker encourages their ally to partake in the current second by sharing sweet words before bitterness dominates.

       

      Refrain 2:

      r

      Duplicate code

      F C F

      Ramailo kura gara, sapana ko kura gara

                   Am Bb F C

      Sang sangai bitayeko samjana ko kura gara

      Bb F

      Samjhana ko kura gara

      Interpretation:

      We should discuss something cheerful, how about we discuss dreams.

      We should think back about the recollections we've shared together.

      Here, the speaker recommends discussing blissful subjects — dreams, shared minutes, and recollections. This stanza mirrors a yearning to clutch the satisfaction of the past while perceiving the significance of valuing it now.

       

      Section 3:

      r

      Duplicate code

      F Am C F

      Dukha choda dukhalai ta jindagani chadai cha

                   Bb F Bb F

      Bhare pheri yekantama runu ta chadai cha

      Interpretation:

      Abandon the aggravation; life will before long bring more distresses.

      Afterward, when isolation returns, there will be tears to cry in the future.

      This section rehashes the topic of relinquishing bitterness and zeroing in on the delight existing apart from everything else. Life is loaded up with difficulties and sorrows, yet the melody reminds us to track down solace in the present.

       

      Refrain 4:

      r

      Duplicate code

      F C F

      Aau nachau andharoma junkiri nache jastai

      Am Bb F C

      Batasa mama udau aaja simala ko bhuwa jastai

      Bb F

      Simalako bhuwa jastai

      Interpretation:

      Come, how about we dance in obscurity like fireflies.

      How about we take off with the breeze today, similar to the seeds of the simal tree.

      This stanza portrays opportunity and euphoria. The firefly represents light and trust in obscurity, while the drifting simal seeds address cheeriness and giving up. The symbolism is idyllic, asking us to live completely at the time.

       

      Last Stanza:

      r

      Duplicate code

      F Am C F

      Dui kadam saath hidau chuttinu ta chadai cha

                   Bb F Bb F

      Bhare pheri yekantama runu ta chadai cha

      Interpretation:

      We should walk together for a couple of steps; partition is unavoidable.

      Afterward, when isolation returns, there will be tears to cry in the future.

      The tune closes with an impactful update that all connections are transitory. Regardless of the trouble of separating, the common minutes genuinely matter.

       

      The Harmonies and Tune

      The tune's harmonies are basic yet delightfully organized, making it a #1 among performers and vocalists. Here is a brief glance at the harmonies:

                    Introduction and Sections:

      F - Am - C - F

      Bb - F - Bb - F

      The song streams without a hitch, with Narayan Gopal's voice adding profundity to each note. The effortlessness of the harmonies permits the verses to sparkle, making the tune sincerely effective.

       

       

      [Verse 1]

      F                      Am                     C                    F

      kehi meetho baat gara, raat tyasai dhalkidai cha

                   Bb               F       Bb                 F

      bhare pheri yekantama runu ta chadai cha

       

       

      [Verse 2]

      F                                C                         F

      ramailo kura gara, sapana ko kura gara

                   Am          Bb   F                        C

      sang sangai bitayeko samjana ko kura gara

      Bb                 F

      samjhana ko kura gara

      F                      Am                      C               F

      dukha choda dukhalai ta jindagani chadai cha

                   Bb               F       Bb                 F

      bhare pheri yekantama runu ta chadai cha

       

       

      [Verse 3]

      F                                       C                     F

      aau nachau andharoma junkiri nache jastai

      Am                       Bb        F                        C

      batasa ma udau aaja simala ko bhuwa jastai

      Bb                      F

      simalako bhuwa jastai

      F                      Am                           C             F

      dui kadam saath hidau chuttinu ta chadai cha

                   Bb               F       Bb                 F

      bhare pheri yekantama runu ta chadai cha

       

      Narayan Gopal's Heritage

      Narayan Gopal (1939-1990) is much of the time viewed as the best vocalist throughout the entire existence of Nepali music. His tunes cover many feelings, from affection and bliss to agony and misfortune. "Kehi Mitho Baat Gara" is an ideal illustration of his capacity to transform basic verses into significant articulations of human experience.

      His tunes stay pertinent across ages, and his voice keeps on rousing new craftsmen. Indeed, even today, Narayan Gopal's music is played on radio broadcasts, in homes, and at social occasions across Nepal and among Nepali people group around the world.

       

      Social Importance

      "Kehi Mitho Baat Gara" is something other than a melody — it's a social fortune. It resounds with individuals of any age, reminding them to esteem the connections and minutes that make life significant. The tune is frequently performed at occasions and get-togethers, making a common feeling of sentimentality and close to home association.

      In Nepali culture, music has forever been a method for communicating feelings, recount stories, and unite individuals. Narayan Gopal's tunes, including this one, are ageless pieces that keep on improving Nepali music and culture.

       

      Viable Action items from the Melody

      1.            Live at the Time:

      The tune urges us to partake in the present and spotlight on the delight of harmony as opposed to harping on future distresses.

      2.            Appreciate Connections:

      Connections are short lived, and this melody reminds us to esteem the time we enjoy with friends and family.

      3.            Find Bliss in Little Things:

      Moving like fireflies and drifting like simal seeds represent the magnificence of tracking down bliss in basic, ordinary minutes.

       

      Last Considerations

      "Kehi Mitho Baat Gara" is a magnum opus that rises above time. Its sincere verses, relieving tune, and Narayan Gopal's unparalleled voice cause it a melody that will to perpetually hold an extraordinary spot in Nepali music history. Whether you're paying attention to it on a peaceful night or chiming in with companions, this tune helps us to remember the significance of affection, recollections, and living completely at the time.

      Reference

      Kaha Hola Ghara Bara" Lyrics: A Timeless Melody by Karma Band

       

      Kaha Hola Ghara Bara" Lyrics: A Timeless Melody by Karma Band

       

      "Kaha Hola Ghara Bara" by Karma Band is a spirit contacting and nostalgic melody that has been engraved in the hearts of Nepali music darlings for a really long time. It reflects longings, love, and connection to roots, making it an esteemed tune throughout the entire existence of Nepali music.

        This blog will take you through the foundation of the tune, the tradition of the band, the verses, and harmonies, while accentuating the feelings and stories related with this work of art.

         

        The Story Behind Karma Band

        Framed in the year 1998, Karma Band has been a commonly recognized name in the music field of Nepal. Holding together the embodiment of a pleasant combination of rock with the conventional Nepali quintessence, this band motivates and gives a treat to audience members via profound verses and charming tunes.

         

        Musicians

        The individuals from Karma Band are:

         

        Surendra Man Singh - Vocals/Percussion

        Basu Dev Shrestha - Guitar

        Hari Maharjan - Guitar

        Bijay Shrestha - Bass

        Anil Sakay - Drums

        Their capacity to consolidate different kinds of music and convey dynamic exhibitions has procured them a standing as quite possibly of the most regarded band in Nepal.

         

        About "Kaha Hola Ghara Bara"

        "Kaha Hola Ghara Bara" by Karma Band is one famous tune. Its verses certainly discuss a yearning for a friend or family member and the solace of home-all that talks extremely near each individual's heart, paying little mind to class or society. Be it a voyager who misses his town or an individual nostalgic about more promising times, this melody addresses the heart.

        [Verse 1]

        कहाँ होला घरबार, कहाँ होला गाउँ?

        कहाँ होला घरबार, कहाँ होला गाउँ?

        चिठी लेखी पठाउला है, केहोतिम्रो नाउँ?

        चिठी लेखीपठाउला है, के हो तिम्रो नाउँ?

        कहाँहोला घरबार, कहाँ होला गाउँ?

         

        [Chorus]

        च्यैट, च्यैट, च्यै

        च्यैट, च्यैट, च्यै

         

        [Verse 2]

        हिमाल चुली पल्लो पट्टि छ्याङ्छ्याङ गर्ने खोला

        हिमाल चुली पल्लो पट्टि छ्याङ्छ्याङ गर्ने खोला

        लुकि चोरी लाउछु माया, बिन्ती नभन्नु होला

        लुकि चोरी लाउछु माया, बिन्ती नभन्नु होला

        हिमालचुली पल्लो पट्टि छ्याङ्छ्याङ गर्ने खोला

         

        [Chorus]

        च्यैट, च्यैट, च्यै

        च्यैट, च्यैट, च्यै

         

        पानी पर्यो पानधारेमा, घाम लग्यो बरमा

        पानी पर्यो पानधारेमा, घाम लग्यो बरमा

        जता हेर्यो माया मात्रै, कहिले लगौ घरमा?

        जता हेर्यो माया मात्रै, कहिले लगौ घरमा?

        पानी पर्यो पानधारेमा, घाम लग्यो बरमा

         

        [Chorus]

        च्यैट, च्यैट, च्यै

        च्यैट, च्यैट, च्यै

         

        [Verse 3]

        फूल दिए ओइलाइजाला औँठी लैजाउ चिनो

        फूल दिए ओइलाइजाला औँठी लैजाउ चिनो

        भुले पाप लाग्ला है, यो सोझो ठिटो

        भुले पाप लाग्ला है, यो सोझो ठिटो

        कहाँ होला घरबार, कहाँ होला गाउँ?

         

        [Chorus]

        च्यैट, च्यैट, च्यै

        च्यैट, च्यैट, च्यै

        च्यैट, च्यैट, च्यै

        च्यैट, च्यैट, च्यै

         

        The tune is basic and profound, while the guitar harmonies make an astounding foundation to the impactful verses of the melody. It is a tune to which audience members frequently go to when they need to reflect, dream, or feel associated with their underlying foundations.

         

        Separating the Verses

        It begins as a sad inquiry, "Kaha hola ghara bara? Kaha hola gaau?"- signifying, "Where could your house be? Where could your town be?". These lines set the vibe for the whole tune in light of the fact that the storyteller is interested about the starting points of his darling.

         

        The initial stanza welcomes audience members into a universe of miracle and longing. The reiteration of "Chitthi lekhi pathaula hai, k ho timro naau?" makes a demeanor of expectation and yearning, almost a mantra; it's like the storyteller is addressing somebody he profoundly focuses on yet doesn't know absolutely.

         

        As the tune advances, striking symbolism becomes the dominant focal point:

         

        Himaal chuli pallo patti, chyang garne kholaa" (Past the mountain tops, a hurrying waterway).

        These lines draw out a sensational image of Nepal's regular magnificence while winding in widespread feelings of adoration and yearning.

        The perky cadence of "se se" intermitted between stanzas gets a hint of joy and suddenness, subsequently sending it to a group pleaser when sung live.

         

        The Verses and Harmonies

        Here goes the entire melody alongside its harmonies for whoever needs to sing or play this magnum opus.

        [Verse 1]

        E

        Kaha hola ghara bara

        E

        Kaha hola gaau

        E

        Kaha hola ghara bara

        E

        Kaha hola gaau

        A

        Chitthi lekhi pathaula hai

        A          E

        K ho timro naau?

        A

        Chitthi lekhi pathaula hai

        A          E

        K ho timro naau?

        E

        Kaha hola ghara bara

        E

        Kaha hola gaau

         

        C   D   E  E  E

        ………………… Se se se

        C   D   E  E  E

        ………………… Se se se

         

        [Verse 2]

        E

        Himaal chuli pallo patti

        E

        Chyang chyang garne kholaa

        E

        Himaal chuli pallo patti

        E

        Chyang chyang garne kholaa

        A

        Luki chori laauchu maaya

        A        E

        Binti na vannu hola

        A

        Luki chori laauchu maaya

        A        E

        Binti na vannu hola

        E

        Himaal chuli pallo patti

        E

        Chyang chyang garne kholaa

         

        C   D   E  E  E

        ………………… Se se se

        C   D   E  E  E

        ………………… Se se se

         

        E

         

        [Verse 3]

        E

        Paani paryo paandhare maa

        E

        Ghama lagyo bara maa

        E

        Paani paryo paandhare maa

        E

        Ghama lagyo bara maa

        A

        Jata heryo maaya matrai

        A          E

        Kaile lagu ghara maa?

        A

        Jata heryo maaya matrai

        A          E

        Kaile lagu ghara maa?

        E

        Paani paryo paandhare maa

        E

        Ghama lagyo bara maa

         

        C   D   E  E  E

        ………………… Se se se

        C   D   E  E  E

        ………………… Se se se

         

        Music: Guitar Solo

         

        [Verse 4]

        E

        Fula diye oilaai jaala

        E

        Aunthi laijau chino

        E

        Fula diye oilaai jaala

        E

        Aunthi laijau chino

        A

        Bhule paap laagla hai

        A        E

        Yo sojho thitoo

        A

        Bhule paap laagla hai

        A        E

        Yo sojho thitoo

        E

        Kaha hola ghara bara

        E

        Kaha hola gaau

         

        C   D   E  E  E

        ………………… Se se se

        C   D   E  E  E

        ………………… Se se se

        C   D   E  E  E

        ………………… Se se se

        C   D   E  E  E

        ………………… Se se se

         

        Why "Kaha Hola Ghara Bara" Resounds

        Its excellence is in its effortlessness. The verses are basic however profound with feeling. The yearning can be for an individual, a spot, or even an opinion; it's a tune for every one of whose eyes have at any point longed for anything. Its tune is not difficult to murmur alongside, and the common harmony makes it very congenial for even beginner guitarists and music aficionados.

         

        The symbolism of the delightful scenes of Nepal adds to the profundity of this melody, which isn't just about adoration yet additionally a recognition for the excellence of the country.

         

        End

        "Kaha Hola Ghara Bara" is a melody that is much more than its music parts; rather, it resembles taking your audience members on a profound ride through affection, wistfulness, and connection. The virtuoso of Karma Band is the means by which they make music sound so immortally delightful, and this melody is a great representation of their specialty.

         

        Assuming you have never paid attention to "Kaha Hola Ghara Bara," this present time is the ideal opportunity. Yet, assuming you have some affection for the melody, here's the opportunity simply pick your guitar, play the harmonies, and let the music return you to a portion of your #1 places and individuals.

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        Unveiling the Timeless Appeal: Ghulam Ali's "Gajalu Ti Thula Thula Aakha" and its Legacy in Nepali Music

        Unveiling the Timeless Appeal: Ghulam Ali's "Gajalu Ti Thula Thula Aakha" and its Legacy in Nepali Music

        "Gajalu Ti Thula Thula Aakha" by the legendary Ghazal Maestro Ghulam Ali is a song that has engraved an eternal mark in the Nepalese audience's hearts. Ghulam Ali is regarded as one of the most famous singers with a voice full of soul and masterpieces in the ghazal genre, who is known to have won hearts throughout South Asia.

          Though most famous for his Urdu ghazals, this Nepali song, "Gajalu Ti Thula Thula Aakha," shows his versatility and finds a special place in the annals of Nepalese music.

           

           [Intro]

          , हो

          , , ,

          , , ,

          , , ,

           

          [Chorus]

          गाजलु ति ठूला-ठूला आँखा

          तीर बनि पसे यो दिलैमा

          कालो लामो परेली केश

          छाल परे कलिलो मायामा

          गाजलु ति ठूला-ठूला आँखा

          तीर बनि पसे यो दिलैमा

           

          [Verse]

          निधारको त्यो रातो टिका

          छाप बनि बस्यो यो दिलैमा

          निधारको त्यो रातो टिका

          छाप बनि बस्यो यो दिलैमा

          झल्केको त्यो नाकको फूली

          झल्केको त्यो नाकको फूली

          ज्योति बन्यो कलिलो मायामा

          गाजलु ति ठुला-ठुला आँखा

          तीर बनि पसे यो दिलैमा

           

          [Verse 2]

          पातली त्यो मधुर ओंठ

          स्वाद बनि पस्यो यो दिलैमा

          पातली त्यो मधुर ओंठ

          स्वाद बनि पस्यो यो दिलैमा

          मिलेका ति दाँतका पंक्ती

          मिलेका ति दाँतका पंक्ती

          मोती बने कलिलो मायामा

           

          [Chorus]

          गाजलु ति ठूला-ठूला आँखा

          तीर बनि पसे यो दिलैमा

          कालो लामो परेली केश

          छाल परे कलिलो मायामा

          गाजलु ति ठूला-ठूला आँखा

          तिर बनि पसे यो दिलैमा

          (, हो)

           

           

          Entry of Ghulam Ali into Nepali Music

          Ghulam Ali's relation with Nepal and his eventual recording of a Nepali song is not merely an artistic enterprise but an account full of regard and respect. In particular, Nepalese people, especially the royal family members used to and still do admire Indian ghazal music, and then there was a name: Ghulam Ali. There is this oft-repeated story that members of the Nepali Royal family were so moved by his songs and expressed a wish to hear him singing in their own language. And then, they called him to Nepal and asked him to sing in Nepali—a language he was not fluent with, but took up with remarkable grace.

           

          The fact that Ghulam Ali decided to sing "Gajalu Ti Thula Thula Aakha" is presented as a respect and cultural exchange between Nepal and India. The great versatility of this man who easily can bridge cultures stands as evidence of his ability. The song itself was an instant classic, loved by generations and still stirring the hearts of Nepali listeners.

           

          "Gajalu Ti Thula Thula Aakha" Lyrics and Chords

          The lyrics and chords of "Gajalu Ti Thula Thula Aakha" are simple, yet in an elegant manner-a simplicity which goes hand in hand with the soulful voice of Ghulam Ali. This song is based on admiration and love. The poetic lyrics have done a great job in its delivery.

          [Intro]

           

          F                       Gm

          Gajalu Ti Thula Thula Akha

          C                        F

          Tira Bani Basyo Yo Dilaima

                              Gm

          Kalo Lamo Pareli Kesha

          C                        F

          Chhala Parne Kalilo Mayama

           

           

          [Verse 1]

           

                    Dm          Bb

          Nidhar Ko Tyo Rato Tika

                                     F

          Chhapa Bani Basyo yo Dilaima

          Bb                        F

          Jhalke Ko Tyo Nakako Fuli

          C                       F

          Jyoti Banyo Kalilo Mayama

          F

          Gajalu Ti

           

           

          [Verse 2]

           

                         Dm     Bb

          Patali Tyo Madhuro Otha

          F

          Swada Bani Base Yo Dilaima

          Bb                       F

          Mileka Ti Danta Ka Pangti

                          C       F

          Moti Banyo Kalilo Mayama

           

           

          [End]

           

          F                       Gm

          Gajalu Ti Thula Thula Akha

          C                        F

          Nira Bani Base Yo Dilai Ma

           

           

          These lyrics articulate deep and true admiration for the beautiful eyes of the person and other charming features. In word choices like "Thula Thula Akha" (big, beautiful eyes) and "Kalilo Maya" (fresh love), listeners feel that all too well, with beauty and innocence captured in those chords.

           

          Chords Explained

          The song is in the key of F, though it contains a combination of F, Gm, Dm, Bb, and C, hence making it soft and soothing. Many musicians have liked the way this simple chord arrangement has allowed the lyrics and the expressive voice of Ghulam Ali to be in prominence. The heartiness in his voice was taken to greater heights by each and every chord in the song.

           

          Impact on Nepali Listeners

          "Gajalu Ti Thula Thula Aakha" was an instant cultural treasure for Nepal and a symbol of the musical connection between Nepal and India. Ghulam Ali's voice was instantly recognizable, reassuring to many Nepalis; hearing him sing in their own language made his music all that more personal. The song worked not only because of its melody but also because it came across as a gift-a form of return on an investment of sorts, an appreciation of the love ghazals and poetry evoked in Nepal.

           

          The Nepali audiences, both young and old, even today relate to this song as though it were current. Although ghazal is identified with Urdu, the fact that Ghulam Ali chose to sing a Nepali song was a mark of respect for Nepali culture and helped propagate ghazals before listeners who may not have been initiated into the art form. The song, in many ways, worked as a bridge, introducing Nepali audiences to the beauty of ghazal music while paying obeisance to their own linguistic heritage.

           

          Ghulam Ali's Unique Appeal in Nepal

          Ghulam Ali's influence in Nepal extends beyond "Gajalu Ti Thula Thula Aakha." His music had a timelessness to it, and he performed in Nepal many a time and received the most encouraging response every time from the audiences. To many, his concerts were rare opportunities to hear live ghazals from one of the genre's greatest voices, and his performances were always well-received.

           

          In fact, Ghulam Ali is so popular in Nepal that he was showered with titles and gifts. Story goes that this royal family was so impressed with his music that his token of Nepali hospitality was unique. For instance, he was rumored to be given traditional Nepali attire and treasures as symbols of respect.

           

          The Song's Legacy and Impact on Contemporary Nepali Music

          "Gajalu Ti Thula Thula Aakha" has been an inspiration for many Nepali artists through the years. It is very common for emerging singers to cover this song as a tribute to Ghulam Ali and as an exercise in reproducing the feeling and complexity of ghazal singing. The poetic lyrics of the song serve as a reference for anyone seeking to express poetry in the Nepali language, and its influence is reflected in how Nepali singers infuse emotion into their songs.

           

          The song has also become a favorite at Nepali music festivals, where it is sung by both established and upcoming artists. It not only reminds one of the depth and beauty of Nepali lyrics, but also how Indian ghazal music has influenced the Nepalese music scenario.

           

          Why "Gajalu Ti Thula Thula Aakha" Abides

          The reason this song is still such a favorite is because its theme is that simple and universal: admiration and beauty. The lyrics are something anyone could relate to in experience at least, and Ghulam Ali's voice put emotion into the words such that they are not just personal but also can make others feel it too. Moreover, its melody is soft and catchy, which speaks to the ability of music to move people despite any barrier that exists through language.

           

          This reminds many listeners of a time when Nepali music was more minimalistic and had much more lyrical beauty. As music today moves forward with new genres and various styles, "Gajalu Ti Thula Thula Aakha" reminds people of how traditional melodies and heartfelt lyrics can hold so much more power.

           

          How to Play "Gajalu Ti Thula Thula Aakha" on Guitar

          In Nepal, this is among the first songs guitarists learn because it is rather easy, yet quite emotive with a minimal amount of chords. Here's a quick guide on how to play this:

           

          Start with the F chord to set the tune for this song.

          Transition to Gm as it will bring up the lines related to "big beautiful eyes."

          Repeat the cycle of F, Gm, C, Dm while you go through the verses and the chorus.

          The song is best done in slow and steady rhythm to bring out the emotion in every line.

          The guitar song is to be enjoyed with the rendering of its lyrics and melody. Most guitarists put their own touch by adding fingerpicking patterns or even changes of tempo to their liking.

           

          Conclusion

          But "Gajalu Ti Thula Thula Aakha" is no ordinary song; it is an anthem of Nepalese musical history. When Ghulam Ali decided to sing in Nepali, the song turned out to be a great example of cultural respect and a present from his side to his Nepali fans, bridging two nations with the beauty of music. The song remains a favorite among Nepali listeners, and the legacy continues to inspire new generations of singers and musicians.

           

          For those of you who have not had the good fortune to hear Ghulam Ali's "Gajalu Ti Thula Thula Aakha," it is well worth the listen. Perhaps you might be struck, as so many Nepali listeners before you, by the softness of its melody and the beauty of its words. To the ones who know and love this song, it is a testament to how tightly music can link across languages, cultures, and generations.

           

          Reference

          Hindi To Nepali Dictionary Words Starting From बो

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