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Morning Mantras Lyrics In Nepali! A Comprehensive Guide to Chanting Morning Mantras

 

Morning Mantras Lyrics In Nepali! A Comprehensive Guide to Chanting Morning Mantras

 

Mornings are considered a sacred time in many spiritual traditions, especially in Hinduism. It is believed that how you start your day has a profound impact on the rest of it. A calm and spiritually oriented morning routine can fill your day with positivity, energy, and clarity. Chanting morning mantras is one such practice that helps to channel your thoughts, invoke blessings,

    and awaken your inner energies. Let us explore in detail the process of chanting morning mantras, the significance behind each mantra, and how this simple practice can transform your mornings and, eventually, your life.

    Brief Process for Chanting Morning Mantra

    Start your day with positivity and energy by chanting these morning mantras:

    Upon Waking Up

    Sit on your bed and look at your hands. Recite the following mantra:

    कराग्रे वसते लक्ष्मी, करमध्ये सरस्वती।

    करमूले स्थितो ब्रह्मा, प्रभाते कर दर्शनम्।।

    "Karagre Vasate Lakshmi, Karamadhye Saraswati,

     Karamule Sthito Brahma, Prabhate Kara Darshanam."

     

    This brings blessings and good fortune.

    Respecting Mother Earth

     

    Before stepping on the ground, bow to Mother Earth and chant:

    समुद्र वसने देवी, पर्वत स्तन मंडले।

    विष्णु पत्नि नमस्तुभ्यं पादस्पर्शं क्षमस्व मे।।

    "Samudra Vasane Devi, Parvata Stana Mandale,

    Vishnu Patni Namastubhyam, Paada Sparsham Kshamasva Me."

    This shows gratitude and sets a peaceful tone for the day.

     

    Greeting the Sun

     

    After bathing, face the sun and chant this mantra:

    आदिदेव नमस्तुभ्यं प्रसीद मम भास्कर।

    दिवाकर नमस्तुभ्यं प्रभाकर नमोऽस्तुते।।

    "Adideva Namastubhyam Praseeda Mama Bhaskara,

    Diwakar Namastubhyam Prabhakar Namo’stu Te."

    This helps invite positive energy and prosperity.

    Lighting a Lamp

     

    Light a lamp before your deity and recite:

    दीप ज्योति: पर ब्रह्म, दीप ज्योतिजनार्दन:

    दीपो हरतु मे पापं, दीप ज्योतिर्नमोऽस्तुते।।

    "Deep Jyoti Par Brahma, Deep Jyoti Janardana,

    Deepo Haratu Me Papam, Deep Jyoti Namo’stu Te."

    This helps cleanse negativity and brings light into your life.

    Before Breakfast

     

    Before eating breakfast, chant:

    ब्रह्मार्पण ब्रह्म हवि: ब्रह्माग्नौ ब्रह्मणा हुतम्।

    ब्रह्मैव तेन गन्तव्यं, ब्रह्म कर्म समाधिना।।

    "Brahmarpanam Brahma Havir Brahmagnau Brahmana Hutam,

    Brahmaiva Tena Gantavyam Brahma Karma Samadhina."

    This mantra enhances wisdom and mindfulness.

    By following this simple routine daily, you'll bring positive energy, clarity, and balance into your life.

     

    Why Morning Mantras Are Important

    Mantras are more than just a combination of words. They are vibrations that create a connection between the mind, body, and soul. When chanted in the morning, mantras set a positive tone for the day, helping you stay focused, energized, and spiritually aligned. In Hinduism, it is believed that the morning hours, referred to as the "Brahma Muhurta," are ideal for spiritual activities because the mind is fresh and the environment is quiet. Chanting mantras during this time enhances their effects, bringing inner peace and external harmony.

    Morning mantras are also believed to awaken your inner energies and connect you with the divine. Each mantra has its unique significance and benefits, whether it’s for invoking blessings, expressing gratitude, or seeking protection.

     

    Step-by-Step Process for Chanting Morning Mantras

    To make the most of your morning mantra practice, follow these steps:

    1. Upon Waking Up: Acknowledge Your Hands

    The first thing to do upon waking is to sit up on your bed and look at your hands. According to Hindu tradition, the palms are considered sacred and are believed to hold divine energy. Each part of the hand is associated with a deity: the fingertips represent Goddess Lakshmi (wealth), the middle part symbolizes Goddess Saraswati (knowledge), and the base of the palm signifies Lord Brahma (creation).

    Chant the following mantra while looking at your hands:

    कराग्रे वसते लक्ष्मी, करमध्ये सरस्वती।

    करमूले स्थितो ब्रह्मा, प्रभाते कर दर्शनम्।।

    Karagre Vasate Lakshmi, Karamadhye Saraswati,

     Karamule Sthito Brahma, Prabhate Kara Darshanam.

    Meaning: At the tips of my fingers resides Goddess Lakshmi, in the middle is Goddess Saraswati, and at the base is Lord Brahma. I behold my hands in the morning to receive their blessings.

    Significance: This mantra reminds you that your hands are a source of divine power and that your actions throughout the day should reflect this divinity. It’s a way of starting your day with mindfulness and gratitude for the abilities you possess.

     

    2. Respecting Mother Earth

    Before stepping onto the ground, it is important to seek forgiveness and express gratitude to Mother Earth (Bhoomi Devi). This practice acknowledges the Earth’s generosity and your dependence on her for sustenance.

    Chant the following mantra:

    समुद्र वसने देवी, पर्वत स्तन मंडले।

    विष्णु पत्नि नमस्तुभ्यं पादस्पर्शं क्षमस्व मे।।

    Samudra Vasane Devi, Parvata Stana Mandale,

     Vishnu Patni Namastubhyam, Paada Sparsham Kshamasva Me.

    Meaning: O Goddess, who is adorned with the oceans as her garments and mountains as her bosom, consort of Lord Vishnu, I bow to you. Please forgive me for placing my feet upon you.

    Significance: This mantra instills a sense of humility and reverence for nature. It encourages you to tread lightly and live responsibly, recognizing that the Earth is sacred and must be treated with care.

     

    3. Greeting the Sun: Surya Mantra

    After completing your morning hygiene routine, step outside or face the rising sun. The sun, or Surya, is considered a life-giving force in Hinduism. It symbolizes energy, vitality, and clarity.

    Chant the following mantra:

    आदिदेव नमस्तुभ्यं प्रसीद मम भास्कर।

    दिवाकर नमस्तुभ्यं प्रभाकर नमोऽस्तुते।।

    Adideva Namastubhyam Praseeda Mama Bhaskara,

     Diwakar Namastubhyam Prabhakar Namo’stu Te.

    Meaning: O primal god, I bow to you. Be kind to me, O Sun God. Salutations to you, the maker of the day and the giver of light.

    Significance: This mantra is a way of expressing gratitude to the sun for sustaining life on Earth. It is believed to bring positivity, energy, and prosperity into your life. The sun’s rays are also associated with purifying the body and mind, making this an ideal practice to include in your morning routine.

     

    4. Lighting a Lamp: Deep Mantra

    Once you’ve greeted the sun, light a lamp in your prayer space. Lighting a lamp is a symbolic gesture of driving away darkness—both external and internal. It signifies the presence of divine light in your home and life.

    Chant the following mantra:

    दीप ज्योति: पर ब्रह्म, दीप ज्योतिजनार्दन:

    दीपो हरतु मे पापं, दीप ज्योतिर्नमोऽस्तुते।।

    Deep Jyoti Par Brahma, Deep Jyoti Janardana,

    Deepo Haratu Me Papam, Deep Jyoti Namo’stu Te.

    Meaning: The light of the lamp represents the supreme Brahman and Lord Vishnu. May this divine light remove my sins. I bow to the light of the lamp.

    Significance: This mantra helps purify your thoughts and actions. It creates a spiritual atmosphere in your home and invites divine blessings. Lighting a lamp also serves as a reminder to be a source of light and positivity in the lives of others.

     

    5. Chanting Before Breakfast

    Before consuming your first meal of the day, it is customary to chant a mantra to express gratitude and seek nourishment for both the body and mind. This practice aligns your energy with the divine and ensures mindfulness while eating.

    Chant the following mantra:

    ब्रह्मार्पण ब्रह्म हवि: ब्रह्माग्नौ ब्रह्मणा हुतम्।

    ब्रह्मैव तेन गन्तव्यं, ब्रह्म कर्म समाधिना।।

    Brahmarpanam Brahma Havir Brahmagnau Brahmana Hutam,

     Brahmaiva Tena Gantavyam Brahma Karma Samadhina.

    Meaning: The act of offering is Brahman, the offering itself is Brahman, and it is offered by Brahman into the fire of Brahman. Brahman is attained by those who see Brahman in every action.

    Significance: This mantra emphasizes the interconnectedness of all things and encourages you to approach food as a sacred gift. It cultivates mindfulness, gratitude, and spiritual awareness, ensuring that your meal nourishes not just your body but also your soul.

     

    Benefits of Chanting Morning Mantras

    Incorporating morning mantras into your daily routine offers numerous physical, mental, and spiritual benefits:

    1. Promotes Positivity: Chanting mantras helps replace negative thoughts with positive energy, setting the tone for a joyful day.
    2. Enhances Focus: The vibrations produced by mantras calm the mind, improve concentration, and enhance clarity of thought.
    3. Boosts Energy Levels: Morning mantras invigorate your body and mind, making you feel more energetic and ready to take on the day’s challenges.
    4. Cultivates Gratitude: The mantras encourage mindfulness and gratitude for the divine forces, nature, and life itself.
    5. Improves Mental Health: Regular chanting reduces stress, anxiety, and restlessness by instilling a sense of peace and balance.
    6. Spiritual Growth: Mantras deepen your connection with the divine and awaken your inner energies, paving the way for spiritual growth.

     

    Tips for Effective Chanting

    To ensure that you gain the maximum benefits from your morning mantra practice, keep the following tips in mind:

    1. Create a Peaceful Environment: Find a quiet space where you can chant without distractions. A calm environment enhances the effects of the mantras.
    2. Be Consistent: Make it a daily habit. Consistency is key to experiencing the long-term benefits of mantra chanting.
    3. Focus on Pronunciation: Proper pronunciation ensures that the vibrations of the mantra are effective. If you’re unsure, listen to recordings or seek guidance.
    4. Chant with Devotion: Approach the practice with faith and sincerity. The more heartfelt your chanting, the greater the impact.
    5. Incorporate Deep Breathing: Take deep breaths between chants to calm your mind and enhance your focus.
    6. Use a Mala (Rosary): A mala can help you keep track of the number of repetitions and deepen your meditation.

     

    Conclusion

    कराग्रे वसते लक्ष्मी, करमध्ये सरस्वती।
    करमूले स्थितो ब्रह्मा, प्रभाते कर दर्शनम्।।

    समुद्र वसने देवी, पर्वत स्तन मंडले।
    विष्णु पत्नि नमस्तुभ्यं पादस्पर्शं क्षमस्व मे।।

    आदिदेव नमस्तुभ्यं प्रसीद मम भास्कर।
    दिवाकर नमस्तुभ्यं प्रभाकर नमोऽस्तुते।।

    दीप ज्योति: पर ब्रह्म, दीप ज्योतिजनार्दन:।
    दीपो हरतु मे पापं, दीप ज्योतिर्नमोऽस्तुते।।

    ब्रह्मार्पण ब्रह्म हवि: ब्रह्माग्नौ ब्रह्मणा हुतम्।
    ब्रह्मैव तेन गन्तव्यं, ब्रह्म कर्म समाधिना।।
    Starting your day with morning mantras is a powerful way to cultivate positivity, mindfulness, and spiritual connection. These ancient chants not only uplift your mood but also fill your life with divine blessings and energy. By following the simple steps outlined above, you can make morning mantra chanting a meaningful part of your daily routine. Over time, this practice will help you navigate life with greater clarity, strength, and inner peace. Let your mornings be filled with the light of divine energy, and watch how it transforms your entire day

     


    Reference

    Jhamke Fuli Lyrics" – A Tribute to Nepali Folk Music and its Timeless Appeal

     

    Jhamke Fuli Lyrics" – A Tribute to Nepali Folk Music and its Timeless Appeal

    "Jhamke Fuli" is a dearest Nepali people tune that has carved itself into the social texture of Nepal. Performed by a skilled gathering of vocalists — Tirtha Kumari Thapa, Rabindra Basnet, Tara Suwal, Rachana G C, and Dhruba Khadka — the melody highlights in the

      collection Nepali Lok Geet 2, delivered in 1987. Known for its melodic effortlessness and profound reverberation, "Jhamke Fuli" stays a valued piece of Nepali melodic legacy.

       

      This blog entry will investigate the expressive excellence, social importance, and the enduring effect of the melody. We'll likewise dive into the commitments of the specialists in question and the job of Nepali Lok Geet (people melodies) in forming the melodic scene of Nepal.

       

      1. The Rich History of Nepali People Music

       

      Nepali people music, or Lok Geet, has been a vital piece of the nation's way of life for a really long time. These tunes catch the day to day existence, customs, and opinions of the Nepali public, filling in as a window into the social and profound existences of the local area. People music in Nepal frequently manages subjects of affection, nature, battles, and festivities.

       

      During the 1980s, the people music scene in Nepal saw a resurgence, because of both customary specialists and new gifts. During this time, collections like Nepali Lok Geet 2, which highlighted "Jhamke Fuli," assumed a critical part in safeguarding and advancing Nepali people music. These melodies were not simply diversion; they likewise went about for the purpose of social articulation, mirroring the core of Nepali personality.

       

      2. Understanding the Verses of "Jhamke Fuli"

       

      The title "Jhamke Fuli" alludes to a blossom that sprouts in the jhamke, a term utilized in Nepali to portray a region that is rich and green with wildflowers. The actual melody addresses the straightforwardness and excellence of nature, while likewise communicating the subjects of affection and yearning.

       

      The verses are wealthy in idyllic symbolism, contrasting the sprouting of blossoms with the blooming of affection. Through representations, the melody conveys a profound close to home association between the vocalist and the subject of their love. It conjures sensations of wistfulness, immaculateness, and longing, feelings that are frequently connected with rustic life in Nepal, where nature and human feelings are entwined.

      झम्के फुली नाकैमा बुलाकी

      स्वर:सुनिता दुलाल

      झम्के फुली नाकैमा बुलाकी

      यसपाली घरबार होलाकी

      झम्के फुली नाकैमा बुलाकी

      यसपाली घरबार होलाकी

      झम्के फुली नाकैमा बुलाकी

      यसपाली घरबार होलाकी

      घरको छानो बर्खामा चुहिदैन

      जान्छु आजै नछुटोस् साथ कहिले

      यो चालले घरबार हुदैन

      है घरको छानो बर्खामा चुहिदैन

      यो चालले घरबार हुदैन

      घरको छानो बर्खामा चुहिदैन

      यो चालले घरबार हुदैन

      पटुकी ले कम्मरमा बानेर

      लैजाउ कित मैयालाई तानेर

      पटुकी ले कम्मरमा बानेर

      लैजाउ कित मैयालाई तानेर

      आलु बोडी तरकारी खानलाई

      ह्याउ छैन तानेर लानलाई

      आलु बोडी तरकारी खानलाई

      ह्याउ छैन तानेर लानलाई

      बैस छन्जेल नबस गम्केर

      तानुला नि अगाडि लम्केर

      बैस छन्जेल नबस गम्केर

      तानुला नि अगाडि लम्केर

      बैस छन्जेल नबस गम्केर

      तानुला नि अगाडि लम्केर

      पानी पर्यो बिजुली चम्केर

      के काम छु नबस्नु गम्केर

      है पानी पर्यो बिजुली चम्केर

      के काम छु नबस्नु गम्केर

      पानी पर्यो बिजुली चम्केर

      के काम छु नबस्नु गम्केर

      छोरीलाई माइतीमा ठाउछैन

      कस कम्मर पछीलाई पाइदैन

      छोरीलाई माइतीमा ठाउछैन

      कस कम्मर पछीलाई पाइदैन

      लाउन खान गरेर मन परि

      बस्छौ हामी बाबु कै घर गरी

      लाउन खान गरेर मन परि

      बस्छौ हामी बाबु कै घर गरी

      जाने भए उमेरमै ख्याल गर

      होला पछी आसुको नौधारा

      जाने भए उमेरमै ख्याल गर

      होला पछी आसुको नौधारा

      जाने भए उमेरमै ख्याल गर

      होला पछी आसुको नौधारा

      हातै काट्यो काचको चुराले

      चित्त बुझ्यो दाई तिम्रो कुराले

      है हातै काट्यो काचको चुराले

      चित्त बुझ्यो दाई तिम्रो कुराले

      हातै काट्यो काचको चुराले

      चित्त बुझ्यो दाई तिम्रो कुराले

      सिलु तोरी जुराइ साइत

      जाउत आज नबस माइत

      सिलु तोरी जुराइ साइत

      जाउत आज नबस माइत

      सिलु तोरी जुराइ साइत

      जाउत आज नबस माइत

      घाम लाग्यो भाग्यमा दाई अहिले

      जान्छु आजै नछुटोस् साथ कहिले

      घाम लाग्यो भाग्यमा दाई अहिले

      जान्छु आजै नछुटोस् साथ कहिले

      सिलु तोरी जुराइ साइत

      जाउत आज नबस माइत

      घाम लाग्यो भाग्यमा दाई अहिले

      जान्छु आजै नछुटोस् साथ कहिले

      सिलु तोरी जुराइ साइत

      जाउत आज नबस माइत

      है घाम लाग्यो भाग्यमा दाई अहिले

      जान्छु आजै नछुटोस् साथ कहिले

       

      3. The Specialists Behind the Tune

       

      Tirtha Kumari Thapa: Brought into the world in 2007 BS, Tirtha Kumari Thapa is a praised figure in the Nepali music industry. She started her melodic excursion as a keep craftsman for Radio Nepal in 2028 BS. Over her distinguished lifetime, she has sung in excess of 1,000 people tunes in different dialects, including Nepali and Nepal Bhasa. Her profound, heartfelt voice has caught the hearts of many, and her melodies like Mama Ta Khandina Kuwako Pani and Jhamke Fuli are famous in Nepali society music.

       

      Rabindra Basnet: Rabindra Basnet is one more conspicuous name in the realm of Nepali people music. His coordinated effort in "Jhamke Fuli" carried a remarkable flavor to the melody. Known for his adaptable vocal abilities, Basnet has been important for some fruitful people music projects, adding to the extravagance of Nepali Lok Geet.

       

      Tara Suwal: Tara Suwal's contribution in Jhamke Fuli raised the melody's emotive articulation. With her smooth, melodic voice, she has been a fundamental piece of Nepali people music, adding layers of profundity to the arrangements she sings.

       

      Rachana G C: Rachana G C is one more skilled voice highlighted in the tune. She has procured acknowledgment for her reasonable, melodic vocals that resound profoundly with audience members. Her commitment to Jhamke Fuli brought a feeling of congruity and association with the people customs.

       

      Dhruba Khadka: As a vocalist and music writer, Dhruba Khadka's presence in the melody added a particular flavor. Known for his capacity to mix conventional Nepali sounds with current components, Khadka assumed a critical part in molding the soundscape of Nepali Lok Geet 2.

       

      Together, these five capable craftsmen brought "Jhamke Fuli" to life, making it a champion piece in Nepali society music history.

       

      4. The Social Meaning of "Jhamke Fuli"

       

      "Jhamke Fuli" is something beyond a tune; it is a close to home impression of Nepali rustic life. The verses summon symbolism of the normal excellence tracked down in the slopes and valleys of Nepal, where blossoms sprout and love develops. The tune impacts any individual who has at any point felt a profound association with nature or encountered the unadulterated feelings of affection and yearning.

       

      In Nepali culture, tunes like "Jhamke Fuli" are vital to celebrations, social events, and family festivities. Society music assumes a fundamental part in joining networks, and tunes, for example, this one unite individuals to celebrate shared values and customs. Throughout the long term, Jhamke Fuli has been highlighted in numerous social affairs, frequently performed at weddings, social projects, and during the reap season.

       

      The tune likewise addresses the persevering through allure of Nepali society music in the advanced period. While the music scene in Nepal has developed with the ascent of pop and present day kinds, the fame of customary melodies like "Jhamke Fuli" helps us to remember the significance of saving the country's social roots. Through tunes like these, more youthful ages are acquainted with the rich legacy of Nepali society music, guaranteeing that it keeps on flourishing.

       

      5. The Tradition of Tirtha Kumari Thapa and Her Effect on Nepali Music

       

      Tirtha Kumari Thapa's vocation is a demonstration of the getting through force of society music in Nepal. As perhaps of the most regarded voice in Nepali music, Thapa has sung a wide assortment of tunes, going from heartfelt ditties to melodies of social and social importance. Her voice has become inseparable from Nepali society music, and she keeps on rousing new ages of performers.

       

      With north of 1,000 melodies to her name, Thapa's commitments to Nepali music are endless. Tunes like Jhamke Fuli are not simply exhibitions; they are social achievements. Thapa's capacity to pass feeling on through her music has assisted her make a profound association with her crowd, making her perhaps of the most valued figure in Nepali melodic history.

       

      6. Nepali Society Music in the Advanced Period

       

      While the impact of Western popular music and present day kinds has filled in Nepal, society music remains profoundly settled in the country's social mind. Tunes like "Jhamke Fuli" are verification of the proceeded with significance of customary music in the existences of Nepali individuals. The melody has been gone down through ages and keeps on being appreciated by both more established and more youthful audience members.

       

      The cutting edge Nepali music scene has seen a combination of customary society components with contemporary sounds, and this mixing of styles has brought forth new classes while as yet keeping the quintessence of Nepali Lok Geet alive. In numerous ways, melodies like "Jhamke Fuli" address the scaffold between the past and the present, regarding custom while embracing advancement.

       

      7. End: Why "Jhamke Fuli" Perseveres

       

      "Jhamke Fuli" is a wonderful illustration of the force of society music to rise above overall setting. With its expressive excellence, heartfelt exhibitions, and profound social reverberation, the melody keeps on major areas of strength for summoning and recollections for audience members. It fills in as a sign of the significance of saving the rich social legacy of Nepal while likewise commending the new melodic developments that keep on arising.

       

      The tradition of specialists like Tirtha Kumari Thapa, Rabindra Basnet, Tara Suwal, Rachana G C, and that's what dhruba Khadka guarantees "Jhamke Fuli" will stay a significant piece of Nepali melodic history. However long individuals keep on singing, pay attention to, and see the value in these immortal tunes, Nepali people music will stay a dynamic and essential piece of the country's character.

       

      All in all, "Jhamke Fuli" is something beyond a people melody; it is an image of the persevering through excellence of Nepali music and culture, everlastingly valued by ages to come.


      Reference

      Aakasaima Chil Ho Ki Besara: The Journey of Mahesh Thulung and His Soulful Song

       

      Aakasaima Chil Ho Ki Besara: The Journey of Mahesh Thulung and His Soulful Song

      In the realm of Nepali music, certain melodies and voices make a permanent imprint on the hearts of audience members. One such paramount piece is "Aakasaima Chil Ho Ki Besara" by Mahesh Thulung. A profoundly profound and reminiscent melody, "Aakasaima Chil Ho Ki Besara" catches the aggravation, yearning, and momentary nature of adoration, life, and connections.

        Through this piece, Mahesh Thulung, both the artist and author, investigates subjects of temporariness and the delicacy of human feelings. In this blog entry, we will investigate Mahesh Thulung's melodic excursion and the story behind the production of this delightful tune, while additionally jumping into its verses and song.

         

        Mahesh Thulung: A Melodic Excursion

        Mahesh Thulung was brought into the world on October 16, 1982, in Ghumauney, Samchi, Bhutan, to guardians Dal Man Thulung and Run Maya Thulung. His affection for music was sustained since early on, and his melodic excursion started when he authoritatively entered the scene in 2003. He began his examinations in Hindustani old style music, finishing his third year of preparing. Afterward, he sought after a two-year degree in Western music from Georgia State College, extending his melodic skyline and skill.

         

        All through his vocation, Mahesh Thulung has delivered a few works, with his most memorable collection "Timro Yaadle" turning out in 2003, trailed by his subsequent collection, "Minutes," in 2010. Aside from these collections, he has likewise delivered a couple of solo tunes, each resounding with his profound comprehension of music and the human condition.

         

        As of now dwelling in Georgia, USA, Mahesh Thulung keeps on being a persuasive figure in the Nepali music industry, mixing traditional and current components to make melodies that touch the spirit.

         

        The Production of "Aakasaima Chil Ho Ki Besara"

        "Aakasaima Chil Ho Ki Besara" is a tune that quickly catches the audience's consideration with its eerie song and powerful verses. The melody addresses the core of the human experience, wrestling with affection, misfortune, and the certainty of time. The verses, joined with Mahesh Thulung's sincere vocal conveyance, make a strong close to home effect.

         

        The verses of the melody portray the brief idea of life, love, and trust. The monotonous lines "Dui commotion maya laidiuna k chha ra" ("What could be allowed in two days of affection?") bring out a feeling of yearning, recommending that even the most enthusiastic feelings are impermanent and frequently beyond our control. The ensemble, with its refrain "Aakasaima chil ho ki besara," illustrates a far off, inaccessible love, as though it is a bird overhead, passing and outside our ability to comprehend.

        [Verse]

         

        A      F#m B         A

        Aakasaima chil ho ki besara

        A      F#m B         A

        Aakasaima chil ho ki besara

        F#m     B              A

        Dui din maya laidiuna k chha ra

                B              A

        Dui din maya laidiuna k chha ra

        F#m     B              A

        Dui din maya laidiuna k chha ra..

         

         

         

        [Verse 1]

         

        A              B

        Salala bagchha sunkoshi nadi

                   A

        Baluwa bagar ma..

         

         

         

        A               B

        Salala bagchha sunkoshi nadi

                    A

        Baluwa bagar ma..

        A                B

        Bachunjel samma haskhelai garau

                F#m    A

        Mare ta khola jungle ma

        A    F#m   B             A

        Jindagi ko bharosa k chha ra

            F#m    B              A

        Jindagi ko bharosa k chha ra

        F#m     B              A

        Dui din maya laidiuna k chha ra

                B              A

        Dui din maya laidiuna k chha ra

        F#m     B              A

        Dui din maya laidiuna k chha ra..

        [Music]

         

        [Verse 2]

        A              B

        Ukali jyan ko tyo eklo bara

                         A

        Chhoidine kohi chaina..

         

         

         

        A              B

        Ukali jyan ko tyo eklo bara

                          A

        Chhoidine kohi chaina..

        A              B

        Mai mari gaye birano desh ma

                   F#m   A

        Roi dine kohi chaina

        A      F#m  B         A

        Bani deuna timi nai sahara

               F#m  B         A

        Bani deuna timi nai sahara

        F#m     B              A

        Dui din maya laidiuna k chha ra

                B              A

        Dui din maya laidiuna k chha ra

        F#m     B              A

        Dui din maya laidiuna k chha ra..

         

        [Verse 3]

        A      F#m B         A

        Aakasaima chil ho ki besara

        A      F#m B         A

        Aakasaima chil ho ki besara

        F#m     B              A

        Dui din maya laidiuna k chha ra

                B              A

        Dui din maya laidiuna k chha ra

        F#m     B              A

        Dui din maya laidiuna k chha ra..,,,,,,,,,,,,,,,,,,,,,,,,,,,,,

        B              A

        Laidiuna k chha ra

        B              A

        Laidiuna k chha ra

        B              A

        Laidiuna k chha ra

         

        The Significance Behind the Verses

        The melody opens with the line, "Aakasaima chil ho ki besara" (Is the bird overhead lost or free?). This analogy represents the artist's internal conflict and vulnerability. The bird, which can fly unreservedly, addresses the artist's longing for independence from the aggravation of solitary love or partition, yet it additionally indicates the bird's powerlessness to genuinely "have a place" anyplace — similar as how we frequently feel caught by our own feelings.

         

        The following line, "Dui noise maya laidiuna k chha ra" (What could be allowed in two days of adoration?), questions the worth and maintainability of affection that is brief. This line mirrors that adoration, when given in a nutshell minutes or without perpetual quality, can feel fragmented and transient. The rehashed references to "two days" act as a wake up call that feelings, similar to time, are short lived and temporary.

         

        As the tune advances, Mahesh Thulung digs further into the aggravation of partition and yearning. The sections like "Salala bagchha sunkoshi nadi" (The waterway Sunkoshi courses through Salala), joined with symbolism of nature, carry a feeling of melancholic excellence to the tune. The stream, similar to the progression of time, keeps on streaming, advising us that life continues on no matter what our close to home battles.

         

        The line "Jindagi ko bharosa k chha ra" (What could be confided throughout everyday life?) mirrors the innate vulnerability and capriciousness of life. The vocalist questions the dependability of anything throughout everyday life, including connections and special interactions. There is a feeling of renunciation in these words, as the vocalist recognizes that life, in the entirety of its magnificence and distress, stays questionable.

         

        The melody's chorale, "Dui clamor maya laidiuna k chha ra," (What could be allowed in two days of adoration?), continues to return as a sign of how brief and temporary love can be, notwithstanding its power. This redundancy adds weight to the focal subject of the tune and summons a feeling of yearning and sadness.

        [Intro]

        A   F#m B        A

        आकाशैमा चील हो कि बेसारा

        A   F#m B        A

        आकाशैमा चील हो कि बेसारा

        F#m   B7          A

        दुई दिन माया लाइदिउन के छ र *3

         

         

        [Verse 1]

        A        B                A

        सलल बग्छ सुन कोशी नदि बालुवा बगरमा

        A        B                A

        सलल बग्छ सुन कोशी नदि बालुवा बगरमा

        A          B             F#m  A

        बाँचुन्जेल सम्म हाँसखेलै गरौ मरे त खोला जंगलमा

         

        A   F#m B        A

        जिन्दगीको भरोसा के छ र

        A   F#m B        A

        जिन्दगीको भरोसा के छ र

        F#m   B7          A

        दुई दिन माया लाइदिउन के छ र *3

         

         

        [Verse 2]

        A           B                    A

        उकाली ज्यानको त्यो एक्लो वर छोई दिने कोई छैन

        A           B                    A

        उकाली ज्यानको त्यो एक्लो वर छोई दिने कोई छैन

        A         B               F#m A

        मै मारी गए बिरानो देशमा रोई दिने कोई छैन

         

        A   F#m B     A

        बनि देउन तिमीनै साहारा

        A   F#m B     A

        बनि देउन तिमीनै साहारा

        F#m   B7          A

        दुई दिन माया लाइदिउन के छ र *3

         

        [Outro]

        A   F#m B        A

        आकाशैमा चील हो कि बेसारा

        A   F#m B        A

        आकाशैमा चील हो कि बेसारा

        F#m   B7          A

        दुई दिन माया लाइदिउन के छ र *3

        B      A

        लाइदिउन के छ र

        B      A

        लाइदिउन के छ र

        B      A

        लाइदिउन के छ र

         

        Melodic Sythesis and Course of action

        The tune of "Aakasaima Chil Ho Ki Besara" supplements the profound profundity of the verses. The plan is unobtrusive yet strong, with the guitar and woodwind assuming critical parts in making a climate of wistfulness and despairing. The tune's design follows a basic however viable example, permitting Mahesh's voice to become the dominant focal point. The going with instruments, particularly the flute, bring out a feeling of quiet, while the guitar gives a delicate, musical establishment.

         

        The guitar pieces in the tune add a layer of closeness, as the fingerpicked designs mix flawlessly with the vocals, making a practically conversational tone. The flute solo, with its high, tormenting notes, adds a hint of despairing that highlights the melody's focal subjects of yearning and misfortune.

         

        The Imagery of Nature in the Tune

        Nature assumes a critical part in the imagery of "Aakasaima Chil Ho Ki Besara." The symbolism of streams, valleys, and mountains adds a feeling of scale to the tune, as though the vocalist's very own agony is being reflected in the boundlessness of the regular world. The notice of "Sunkoshi Nadi" and "Ukali jyan ko tyo eklo bara" (The lone mountain way of life) attaches the artist's close to home insight to the bigger world around him, it are general and ageless to propose that individual battles.

         

        The regular world, in this specific circumstance, goes about as both a shelter and a sign of the certain section of time. The waterway streams paying little heed to human feelings, and the mountains stand tall, unaffected by the battles of life. This duality mirrors the center pressure in the tune — the synchronous sensation of being important for something bigger while likewise feeling little and immaterial notwithstanding profound agony.

         

        The General Allure of "Aakasaima Chil Ho Ki Besara"

        One reason "Aakasaima Chil Ho Ki Besara" resounds so profoundly with audience members is its all inclusiveness. While the tune is written in Nepali and mirrors the social encounters of the vocalist, the topics of affection, misfortune, and the quest for significance are widespread. Whether one is encountering misfortune, the passing of a friend or family member, or essentially the bafflement that accompanies life, the tune offers a space for reflection and profound delivery.

         

        The tune likewise offers a feeling of comfort, as though to say that it is OK to feel lost or dubious on occasion. Life is loaded with temporariness, and feelings, regardless of how overpowering, will breathe easy. The verses offer both an admonition and a solace: love might be transient, yet it is as yet worth encountering, regardless of whether just briefly.

         

        Determination: A Tune for the Spirit

        "Aakasaima Chil Ho Ki Besara" by Mahesh Thulung is a delightful and genuinely rich piece of music that addresses the core of human life. Through its reminiscent verses and calming tune, the melody catches the brief idea of affection and life. It advises us that while we may not necessarily in all cases have command over our feelings or the course of our lives, the experience of affection and misfortune makes us human.

         

        Mahesh Thulung's sythesis, alongside his genuine execution, makes a tune that is both profoundly private and generally interesting. "Aakasaima Chil Ho Ki Besara" stays a demonstration of his melodic ability and his capacity to interface with audience members on a profound level, having a never-ending impact on any individual who hears it.


        Reference

        Yo Mero Topi Ho By Gopal Yonjan