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Top Song's Lyrics And Chords of Kuma Sagar

 

Top Song's Lyrics And Chords of Kuma Sagar

Siddhi Sagar Prajapati, popularly known as Kuma Sagar, was born and raised in Bhaktapur, a city in the Kathmandu Valley renowned for its rich cultural heritage and traditional arts. From an early age, Sagar was surrounded by the vibrant rhythms and melodies of his native Newa culture. His formative years were deeply influenced by his grandfather, who played a crucial role in nurturing his early interest in music.

 

Sagar’s grandfather was a respected musician in the local community, known for his skillful performance on the traditional Khing baja. The dafa, a communal place where traditional musical instruments were learned and played, became a significant part of Sagar’s childhood. Every evening, the dafa would come alive with bhajan sessions, where the community gathered to sing devotional songs and celebrate their cultural traditions. It was here that young Sagar developed a deep appreciation for the music that would later shape his career.

 

The young Sagar’s fascination with music was evident from his early interactions with the dafa and the musical traditions of his community. His grandfather’s influence was pivotal; he would often accompany him to the dafa, absorbing the nuances of traditional music and learning about various instruments. This exposure to music laid the groundwork for his future endeavors, instilling in him a love for the traditional sounds of the Newa community.

 

Academic Challenges and Musical Aspirations

 

Despite his burgeoning passion for music, Sagar faced significant challenges during his formative years. Like many Nepali parents, Sagar’s family placed a strong emphasis on academic success and saw music as an impractical career choice. They encouraged him to pursue conventional education and secure a stable job, often dismissing his musical aspirations as a fleeting interest.

     

    The societal expectations and familial pressures created a challenging environment for Sagar. His hours-long music practices, often held with friends, were frequently disrupted by disapproving neighbors. The noise complaints resulted in stones being thrown at him, a stark reminder of the lack of support he faced from his community. This period of his life was marked by a struggle to balance his passion for music with the expectations placed upon him by his family and society.

     

    Sagar’s rebellious nature during his teenage years further complicated his situation. Known as a “chakchakey chora” or troublemaker, he was involved in occasional gang fights and class bunks. His parents’ concern for his future led them to place him in a home rehabilitation program, hoping to redirect his focus away from music and towards more conventional pursuits. During this time, Sagar considered abandoning his musical dreams and contemplated moving abroad in search of a different path.

     

    The Turning Point: The Voice of Nepal

     

    In 2019, Sagar received a life-changing opportunity when he was selected to participate in "The Voice of Nepal." This competitive singing reality show provided him with a platform to showcase his talent and gain national recognition. Although he did not emerge as the winner, the experience was a turning point in his career.

     

    Participating in "The Voice of Nepal" allowed Sagar to connect with other musicians, professional singers, and industry experts. The exposure and feedback he received were invaluable, broadening his understanding of music and performance. The pride reflected in his parents’ eyes during this period was a testament to their growing acceptance of his musical aspirations.

     

    The show’s experience motivated Sagar to take greater control of his musical career. He decided to focus on creating his own music and exploring his unique artistic vision. This decision marked the beginning of a new chapter in his life, characterized by a commitment to producing music that reflected his cultural heritage and personal experiences.

     

    DIY Music Production: A New Approach

     

    In 2020, Sagar took a bold step by recording his debut song, 'Bajeko Bajang,' using a mobile phone. Lacking access to professional equipment, he utilized his phone’s mic for recording and edited the track using Adobe Premiere. For the drum beats, he relied on a vocal processor, demonstrating his resourcefulness and determination to produce music despite the challenges.

     

    The DIY approach to music production became a hallmark of Sagar’s career. His ability to create and refine his music using minimal resources showcased his creativity and technical skills. This method allowed him to maintain a high level of artistic control and produce music that was true to his vision.

     

    The success of 'Bajeko Bajang' was a significant milestone for Sagar. It established him as a unique voice in the Nepali music scene and laid the groundwork for his future projects. His innovative approach to music production and his dedication to preserving traditional Nepali sounds set him apart from his contemporaries.

     

    Revitalizing Traditional Sounds

     

    Sagar’s music is characterized by a distinctive blend of traditional Newa instruments and melodies. His compositions often incorporate elements from the Malla period, a time known for its rich musical heritage. By integrating instruments such as the Flute Dha, Bhusyah, and Khing, Sagar revitalizes ancient sounds and brings them to contemporary audiences.

     

    Songs like ‘Oh Champa’ and ‘Chahare Sari’ are prime examples of Sagar’s commitment to preserving and celebrating Newa culture. ‘Oh Champa,’ in particular, stands out for its use of traditional bhajan rhythms and its incorporation of a section from the bhajan ‘Shree Rajendra.’ This fusion of old and new elements captured the audience’s attention and contributed to the song’s success.

     

    Sagar’s dedication to traditional music extends beyond his compositions. He is actively involved in the entire process of creating and releasing his songs, from writing lyrics to refining the final product. Before starting any project, he creates a prototype of his songs and shares it with his team for feedback. This collaborative approach ensures that his music maintains a high level of quality and authenticity.

     

    Inspiration and Creative Process

     

    Sagar’s creative process is deeply intertwined with his personal experiences and inspirations. He often draws from his surroundings, whether walking down the street or riding a bike, to generate ideas for lyrics and melodies. Spontaneous moments of inspiration are crucial to his songwriting, as he constantly hums melodies and quickly jots down new ideas.

     

    During the lockdown, Sagar dedicated long hours to experimenting with traditional instruments such as the Basuri, Dha, Khing, and Dhimey. This period of intense creativity allowed him to explore new sounds and refine his musical techniques. He recalls working on his computer for 24 hours straight, driven by his passion for music and his desire to push the boundaries of his craft.

     

    Sagar’s approach to music is characterized by a need for mental clarity and calm. He believes that maintaining a clear and focused mind is essential for effective creative work. This mindset allows him to fully immerse himself in his music and produce compositions that resonate with his audience.

     

    International Recognition and Fan Encounters

     

    Sagar’s journey took an exciting turn when he had the opportunity to perform at his first international concert in Australia. Despite initial expectations of a smaller audience due to a concurrent event by The Elements, the concert attracted around 500 attendees. This experience was a significant achievement for Sagar, reflecting his growing popularity and the expanding reach of his music.

     

    A particularly memorable moment in Sagar’s career was an encounter with a young fan in Thimi. The fan, who had been eagerly waiting to meet Sagar, was so moved by the experience that he cried. This emotional response was a first for Sagar and highlighted the profound impact his music had on his listeners. The fan’s continued support and attendance at Sagar’s concerts serve as a source of inspiration and motivation for the artist.

     

    Challenges and Future Aspirations

     

    Despite his success, Sagar has faced challenges within the Nepali music industry. Limited support and recognition have been obstacles, but he remains committed to his mission of celebrating and preserving Newa culture through his music. His resilience and dedication to his craft reflect his unwavering passion for music and his desire to inspire future generations.

     

    Sagar’s future aspirations include continuing to release songs that infuse Newa culture with contemporary elements. He aims to further his impact on the Nepali music scene and contribute to the preservation of cultural heritage. His efforts to innovate while honoring tradition are central to his artistic vision and career goals.

     

    Legacy and Influence

     

    Kuma Sagar’s journey is a testament to his resilience, creativity, and commitment to preserving traditional Nepali music. His innovative approach to music production, combined with his dedication to celebrating Newa culture, has established him as a significant figure in the Nepali music industry.

     

    Through his work, Sagar has not only revitalized ancient sounds but also inspired a new generation of musicians and music lovers. His ability to blend traditional and contemporary elements demonstrates his versatility and artistic vision. As he continues to create and perform, Sagar’s influence on the Nepali music scene and cultural landscape is poised to grow.

     

    In conclusion, Kuma Sagar’s biography is a story of passion, perseverance, and cultural pride. From his early experiences in Bhaktapur to his international performances, Sagar’s journey reflects his dedication to music and his commitment to preserving and celebrating Nepal’s rich musical heritage. His contributions to the industry and his impact on his audience are a testament to his artistry and enduring legacy.

    Chameli Phoola  



    …….G            D/F#
    Aaunu hai timi
    …….Em7      Cadd9
    Rangin chaayi
    ………G           D/F#
    Bihaani ko kiran
    ………..Em7   Cadd9
    Ra haawaa sari

    G                         D/F#
    Chaayi deu timi chameli
    Em7             Cadd9
    ..Phoola ko basnaa jhai
    G              D/F#
    ..Bihaani sabera
    ……..Em7       Cadd9
    Ghaama ko kirana jhai
    G                        D/F#
    Chaala paailaa sang-sangai
    Em7               Cadd9
    Tappa tappa hidhera
    G                D/F#
    Kornu cha kathaa harmo
    Em7            Cadd9
    ..Gantabya pugera

    G                    D/F#
    Sang-sangai paaila chaala na
    Em7        Cadd9

    ……..G           D/F#
    Juni vari merai hunu la
    Em7        Cadd9

    G       D/F#     Em7        Cadd9
    Haaa hahaha haaaaaaaha ….
    G       D/F#     Em7        Cadd9
    Haaa hahaha haaaaaaaha ….

    Music:

    Verse 2

    ……..G         D/F#
    Timi nai ta hau
    …………Em7    Cadd9
    Saaraa sansaara
    ……..G         D/F#
    Timi nai ta hau
    ……….Em7  Cadd9
    Mero grahana
    Cadd9    D               G
    Aayi sangai chaau na
    …………Cadd9      D                   G
    Sadhai merai chaayaa bannu la

    …..G                       D/F#
    Eh suna champaa ek fera
    Em7           Cadd9
    Naacha na cham-chama
    G               D/F#
    …Mili haami
    ……Em7                  Cadd9
    Rangin banaau yo sansaara

    G       D/F#     Em7    Cadd9
    Ohoo oho     oooo…
    G       D/F#     Em7    Cadd9
    Ohoo oho     oooo…
    Oooo ….

     

    ………G         D/F#      Em7      Cadd9
    Mero phoola ko baasnaa sangai
    ……….G        D/F#     Em7  Cadd9
    Mitho dhuna gun-gunaau na
    ………G         D/F#      Em7      Cadd9
    Mero phoola ko baasnaa sangai
    ……….G        D/F#     Em7  Cadd9
    Mitho dhuna gun-gunaau na

    ….Cadd9  D               G
    Haraaau   na, khoja na
    ………..Cadd9   D            G
    Sadhai samjhadai basa na

    ……G                         D/F#
    Eh chaayi deu timi chameli
    Em7             Cadd9
    ..Phoola ko basnaa jhai
    G              D/F#
    ..Bihaani sabera
    ……..Em7       Cadd9
    Ghaama ko kirana jhai
    G                        D/F#
    Chaala paailaa sang-sangai
    Em7               Cadd9
    Tappa tappa hidhera
    G                D/F#
    Kornu cha kathaa harmo
    Em7            Cadd9
    ..Gantabya pugera

    Ma  

    G        D/F#   Em7    D     Cadd9
    हो.. ओ हो.. ओ हो.. हो ओ …
    G    D/F#  Em7   D    Cadd9
    हु…. हु …… हु ……. हु .. हु …

    Verse 1

    G       D/F#  Em7
    सिर सिरे हावामा,
    …….D                 Cadd9
    दुल्न थाल्यो मेरो मन
    G      D/F#  Em7
    यो छोटो ज़िन्दगीमा,
    D                   Cadd9
    केही छ आफ्नोपन
    G     D/F#  Em7
    बतासमा झुम्दै,
    ……D              Cadd9
    अनि तारालाई गन्दै
    G  D/F#       Em7
    समयको खोलामा
    …….D               Cadd9
    अघी बगिरहेको म

    ..G                    D/F#
    [ साइकल चढी, लदी र बदी,
    Em7                 D         Cadd9
    उकाली ओराली चढिरको म
    G                    D/F#
    बादलको पछि, पंक्षीलाइ हेरी,
    Em7        D             Cadd9
    छायाँ संगै, दौडिरहेको म ] – 2

    ..Am  C      G    D
    [ हो… ओ … हो ..
    Am  C      G       D
    हो… ओ … हो..ओ… ] – 2

     
    G   D/F#   Em7
    कसरी हराउँछौ
    …….D                 Cadd9
    तिमी मलाइ भन न
    G   D/F# Em7
    हराउँनलाइ
    ……D         Cadd9
    कुनै ठाउँ छैन
    G      D/F#  Em7
    मिर मिरे बिहानीमा
    D                 Cadd9
    उदायो मेरो मन
    G      D/F#      Em7
    कोही त आउँला नी
    D              Cadd9
    मलाई सम्झेर


    Oh Champa 

    Cadd9
    … Oh Champa gana wona,
    G
    .. Mana jigu khwekka ?
    Cadd9
    .. Aase re aase champa
    G
    .. Jinha: napang we ka
    G             D/F#
    .. Ji changu linhe linhe
    Em                Cadd9
    .. Nhyable napang jwe ka
    G            D/F#
    .. Aase re aase champa
    Em              Cadd9
    .. Jinha: napang we ka

    Cadd9
    … Oh Champa gana wona
    G
    .. Mana jigu khwe ka

    Verse 2

    Cadd9
    .. Jigu tho latthe joban
    G                   D/F#
    .. Changu lagi be ka
    Cadd9
    .. Aase re aase champa
    G                  D/F#
    .. Jinha: napang we ka

    Cadd9
    .. Aase re aase champa
    G
    .. Jinha: napang we ka
    Cadd9
    .. Jigu tho latte joban
    G
    ..Changu lagi be ka

    G              D/F#
    ..Aase re aase champa
    Cadd9
    ..Totaa wane mate cha
    Cadd9
    .. Jigu tho sansaare
    G
    Suhe maru kaa
    G               D/F#
    Cha jiguu hridaey
    Cadd9                   G       D/F#
    Cha he jigu sansaraa
    Cadd9                   G
    Cha he jigu sansaraa

    Bridge:
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    G
    .. Shree Rajendra nipa
    Cadd9        G
    Yahune uudhaara
    Cadd9                              G
    .. Bhimana xigu guhna laa aye
    Cadd9                              G
    .. Bhimana xigu guhna laa aye
    G              D/F#
    Swohune bhumanadi
    Em7        Cadd9
    ..Tho sansaar para
    Cadd9                    G            D/F#
    Bhawo bhagatina yaye jhi dhyana
    G          D/F#  Cadd9         D/F#
    Tarani janani bramayeni rani
    G          D/F#  Cadd9         D/F#
    Tarani janani bramayeni rani
    C
    …Nawadavi bimabali
    G                 D/F#
    Ganeshaya dhyana
    G          D/F#  Cadd9         D/F#
    Tarani janani bramayeni rani
    G          D/F#  Cadd9         D/F#
    Tarani janani bramayeni rani
    G          D/F#  Cadd9         D/F#
    Tarani janani bramayeni rani
    G          D/F#  Cadd9         D/F#
    Tarani janani bramayeni rani

    Hawa Ko Lahar  

    C                Cmaj7sus2/B
    ..Hawa ko lahar sangai
    F                      C
    ..Udhi rahana mann bho ni
    F                  C
    …Timro tyo baasanaa
    Am             G
    Mann mai chalyo re

    C                Cmaj7sus2/B
    ..Hawa ko lahar sangai
    F                      C
    ..Udhi rahana mann bho ni
    F                    C
    …Timro tyo baasanaa
    Am             G
    Mann mai chalyo re
    C                    Cmaj7sus2/B
    ..Timro tyo boli maa
    F             C
    ..Magna bhayera
    F                       C
    ..Timro agadi ful haru bani
    Am
    Cham cham cham cham
    G
    Naachyo re
    C       Cmaj7sus2/B    Am         G
    …Ooo .. ho ho ..            hoo ho ho
    C       Cmaj7sus2/B    F         G
    Ho ho …                          umm …

    Music:

    Verse 2

    C
    ..Para baata sundaa
    F                   C
    ..Timro tyo boli
    F                   C
    ..Mutu mai laagera
    Am             G
    Mann nai ramaayo re

    C                   Cmaj7sus2/B
    ..Para baata sundaa
    F                   C
    ..Timro tyo boli
    F                   C
    ..Mutu mai laagera
    Am            G
    Mann nai ramaayo re
    C                 Cmaj7sus2/B
    ..Timro tyo heraai maa
    F                C
    ..Lattha ma vayera
    F                   C
    ..Yo be-rangi jindagi mai
    Am              G
    Indreni bani aayau re
    C   Cmaj7sus2/B   Am    G
    Ooo .. oo ..                 ho  ho ..
    C               Cmaj7sus2/B
    ..Timi aayi yo dharti
    ……F           G
    Rangaayo re

     
    F                       G
    ….Bataash maa udhe jhai
    F                                   G
    …Laagna thaalyo yo mann
    F              G
    …Timrai .. kalpanaa maa
    F                        G
    ..Bhule jhai laagyo ni yo tann

    ……C                    Cmaj7sus2/B
    Timrai sansaar maa
    ……..Am             G
    (Timrai sansaar maa)
    …….C                      Cmaj7sus2/B
    Dubna mann bho ni
    ……….Am                 G
    ( Dubna mann bho ni)
    ……C                      Cmaj7sus2/B
    Meraa saaraa khusi
    …….Am                   G
    (Meraa saaraa khusi)
    ………C                 Cmaj7sus2/B
    Gare timrai nimti
    ……….Am             G
    (Gare timrai nimti)

    C                Cmaj7sus2/B
    ..Hawa ko lahar sangai
    F                       G
    ..Udhi rahana mann bho ni
    F                    C
    …Timro tyo baasanaa
    Am             G
    Mana mai chalyo re
    C                    Cmaj7sus2/B
    ..Timro tyo boli maa
    F             G
    ..Magna bhayera
    F                       C
    ..Timro agadi ful haru bani
    Am
    Cham cham cham cham
    G
    Naachyo re

    Timi aayi yo dharti ma
    Rangin chaayo re
    Kataaulaa jindagi yo
    Timro haat samaayi

    Baje Ko Bajang

    Bm
    Kholai maa
    ……………E
    Bage jhai laagyo …
    Bm
    Aakaashai maa
    ……………..E             A
    Udhe jhai laagyo …
    …………………….Bm
    Baje ko bajang le

    E
    ..Chama chama naachi dim jastai
    E                                     Bm
    ..Laagyo ni timro boli le ….
    E
    ..Dhuwa dhuwa vayo kharaani
    E                                                   Bm
    ..Kharaani bhai udhau laagyo ni ..

    Bm
    Kholai maa
    ……………E                 A
    Bage jhai laagyo …
    …………………..Bm
    Baaje ko bajaang le

    Music:

    Verse 2

    ….Bm
    Basanta ritu ..
    ………………..E
    Chaaye jhai laagyo ..
    …..Bm
    Yo sheetal haawaa maa
    …………….E             A
    Udhe jhai laagyo …
    ……………………….Bm
    Bajaang ko dhuwai le ..

    E
    ..Musu-musu haasi dim jastai
    E                                       Bm
    ..Laagyo ni yo dhuwaa le …
    E
    ..Chiri-chiri charaa churungi
    E                                                 Bm
    ..Jastai gaayi diu jhai laagyo ni ..
    ……..G   A    Bm
    Yeah ….

    Music: (G   A   Bm)

    Bm              G
    Berangine …
    …………..A            Bm
    Eklo sansaara maa ..
    Bm                  G
    Saatau ranga  ….
    ……………A          Bm
    Charidai gayo.. ho…
    Bm              G
    Berangine …
    …………..A            Bm
    Eklo sansaara maa ..
    Bm                  G
    Saatau ranga  ….
    ……………A          Bm
    Charidai gayo.. ho…

    Bm
    Kholai maa
    ……………E
    Bage jhai laagyo …
    …………………….Bm
    Baje ko bajang le

    Sath Deuna  

    Verse 1

    F           C                       A#
    ..Timlai mann paraauchu
    F                      C                        A#
    .. Timi sangai jiuna chahanchu
    F           C                       A#
    ..Timlai mann paraauchu
    F                      C                        A#
    .. Timi sangai jiuna chahanchu

    …..F              C
    Nadherai sataau na
    A#
    Chaadai farki aau na
    …..F              C
    Nadherai sataau na
    A#
    Chaadai farki aau na
    F                    C                    A#
    .. Matra timi saatha deu na
    F                    C                    A#
    Matra timi saatha deu na

    F         C         A#
    Uu uu uu, uu uu uu
    F         C         A#
    Uu uu uu, uu uu uu

    F          C        A#
    …..Uuuu uuuu …..
    F          C        A#
    …..Uuuu uuuu …..

    Verse 2

    F                 C                       A#
    .. Sangeet ni bagi rahanecha
    F                        C                          A#
    .. Matra sangai paailaa chaala na
    F                    C                          A#
    .. Hawa pani gungunaaune cha
    F                    C                    A#
    .. Matra timi saatha deu na

    F                 C                    A#
    .. Bho dherai nasataau na ha ho ..
    F               C                 A#
    .. Chaadai farki aau na
    F                 C                    A#
    .. Bho dherai najiskaau na ha ho ho..
    F               C                 A#
    .. Chaadai farki aau na

    F         C         A#
    Uu uu uu, uu uu uu
    F         C         A#
    Uu uu uu, uu uu uu

    F          C        A#
    …..Uuuu uuuu …..
    F          C        A#
    …..Uuuu uuuu …..

    F             C                      A#
    .. Timlai chahi rahane chu
    F                     C                        A#
    .. Harpal timi sangai hune chu

    Dharke Jhola  

    G                      D/F#
    Dharke jhola Illame
    Cadd9           D/F#
    Mai kholaa, mai kholaa
    G                D/F#
    .. Birsi jaane tyo meri
    Cadd9       D/F#
    Maayaalu kaha holaa

    G                      D/F#
    Dharke jhola Illame
    Cadd9           D/F#
    Mai kholaa, mai kholaa
    G                D/F#
    .. Birsi jaane tyo meri
    Cadd9       D/F#
    Maayaalu kaha holaa
    G                          D/F#
    .. Daafe munaal naacheko
    Cadd9         D/F#
    Banai maa, banai maa
    G                     D/F#
    .. Samjhanaa aaucha
    ……..Cadd9    D/F#
    Aaja yo mero manai maa

    G                        D/F#
    Sunkoshi nadi bageko
    Cadd9  D/F#
    Sa  la  la
    G                                D/F#
    Samjhanaa aaucha timro nai
    Cadd9  D/F#
    Jha  la  la
    G                        D/F#
    Sunkoshi nadi bageko
    Cadd9  D/F#
    Sa  la  la
    G                                D/F#
    Samjhanaa aaucha timro nai
    Cadd9  D/F#
    Jha  la  la

    ……..G         D/F#   Cadd9   D/F#
    [ Yei yea yea yea.. hoo …
    …..G        D/F#   Cadd9   D/F#
    Yei yea hee …….. hoo …….] – 2



    G                   D/F#
    Banai bhari Guraans
    Cadd9           D/F#
    Dhakmakka fuleko
    G                D/F#
    .. Bhuleko chainau
    ……….Cadd9              D/F#
    Hami bann paakhaa duleko

    G                  D/F#
    Lek maathi himaala
    Cadd9      D/F#
    Haaseko, haaseko
    G                   D/F#
    .. Bhuleu ki timi le
    …….Cadd9            D/F#
    Lok bhaakai maa naacheko

    G                        D/F#
    Sunkoshi nadi bageko
    Cadd9  D/F#
    Sa  la  la
    G                                D/F#
    Samjhanaa aaucha timro nai
    Cadd9  D/F#
    Jha  la  la
    G                        D/F#
    Sunkoshi nadi bageko
    Cadd9  D/F#
    Sa  la  la
    G                                D/F#
    Samjhanaa aaucha timro nai
    Cadd9  D/F#
    Jha  la  la

    ……..G         D/F#   Cadd9   D/F#
    [ Yei yea yea yea.. hoo …
    …..G        D/F#   Cadd9   D/F#
    Yei yea hee …….. hoo …….] – 2

    Music:

    Verse 1 Repeat

    G                      D/F#
    Dharke jhola Illame
    Cadd9           D/F#
    Mai kholaa, mai kholaa
    G                D/F#
    .. Birsi jaane tyo meri
    Cadd9       D/F#
    Maayaalu kaha holaa
    G                          D/F#
    .. Daafe munaal naacheko
    Cadd9         D/F#
    Banai maa, banai maa
    G                     D/F#
    .. Samjhanaa aaucha
    ……..Cadd9    D/F#
    Aaja yo mero manai maa

    Chahare Sari  

    G                                  Cadd9
    .. Para baata aayau ekkaasi timi
    G                              Cadd9
    .. Indreni ko rang chahare sari
    G                                  Cadd9
    .. Para baata aayau ekkaasi timi
    G                              Cadd9
    .. Indreni ko rang chahare sari

    ……….G      D/F#
    Chahare sari
    Em7              Cadd9
    .. Chahare sari
    ……G                 D/F#        Em7
    Timrai wori pari rahulaa ni
    Cadd9
    …….G                      D/F#
    Dubna mann bho ni
    ………..Em7       Cadd9
    Timrai wori pari
    …….G                    D/F#          Em7
    Timrai aakhaa heri basaulaa ni
    Cadd9

    Verse 2

    G
    .. Aagana maa uuddai aaye
    Cadd9
    Chari sari
    G
    .. Rahi rahana mann bho
    …………Cadd9
    Timrai wori pari
    G
    … Tuki baale sari jindagi
    …..Cadd9
    Uujyaalo paari
    G                              Cadd9
    .. Aayau timi bhagwaan sari

    ……..G           D/F#
    Bhagwaan sari
    Em7           Cadd9
    .. Aayau timi
    ……..G           D/F#   Em7     Cadd9
    Bhagwaan sari ….. oo ..
    …….G                      D/F#
    Dubna mann bho ni timrai
    …………Em7     Cadd9
    Timrai wori pari
    ……G                      D/F#  Em7   Cadd9
    Timrai aakhaa heri ..

    Bhajan:

    Cadd9
    Yaa he mafu
    G
    .. Tho haangu haarati
    Em7
    Shree Ranajit yaa
    Cadd9                       G
    .. Mohana bumi sa daa na

    Cadd9
    Yaa he mafu
    G
    .. Tho haangu haarati
    Em7
    Shree Ranajit yaa
    Cadd9                       G
    .. Mohana bumi sa daa na

    ..G
    [ Daya taya ka
    D/F#
    Jita cha karuna
    Em7                                Cadd9
    Ma te chan pranabinti sada
    G
    Daya taya ka
    D/F#
    Jita cha karuna
    Em7                                Cadd9
    Ma te chan pranabinti sada
    Cadd9
    Mana ya mafu tipa maana
    Cadd9
    Mana ya mafu tipa maana
    G                                    D/F#
    Tana mana janani ya dhyaan
    Em7                           Cadd9
    Charana sarana jita yaa
    G                                 Cadd9
    Charana sarana jita yaa ] – 2

    Music:Promosi headphone terbaik
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    G
    .. Jindagi maa aayau feri
    …..Cadd9
    Sheetala bani
    G
    .. Rahi rahana mann bho
    ………..Cadd9
    Timrai chaayaa bani
    G
    … Bihaani ko kiran sangai
    …..Cadd9
    Uujyaalo paari dharti maa
    G                            Cadd9
    .. Aayau feri bhagwaan sari

    ……..G           D/F#
    Bhagwaan sari
    Em7           Cadd9
    .. Aayau timi
    ……..G           D/F#   Em7     Cadd9
    Bhagwaan sari ..
    ……….G                      D/F#
    Chaauna mann bho ni
    ………..Em7       Cadd9
    Timrai wori pari
    …….G                D/F#   Em7   Cadd9
    Timrai aakhaa heri ..

    Harey  

    ….E             F#m
    Oh oh … hoo …
    ………A                       E
    Hohohohoo ooo …..
    ….E             F#m
    Oh oh … hoo …
    ………A                       E
    Hohohohoo ooo …..

    Verse 1

    ……E                            F#m
    Aauchau timi kuri rahe
    …..A        E
    Harey …
    ……..E                             F#m
    Chaayaa sangai bhaagine
    …..A        E
    Harey ..
    ……E                           F#m
    Maayaa chokho garine
    …..A        E
    Harey ..
    ….E                           F#m
    Aashaa dherai garine
    …..A        E
    Harey ..

    Music:

    F#m                                      A
    … Timro angaalo maa malai
    F#m                                     A
    .. Rahi rahana mann cha ni
    F#m                                     A
    .. Timro nyaasro laagcha ni
    F#m                            A     Am   E
    .. Darr pani laagcha ni

     
    F#m                       A
    … Aaudainau bhane
    F#m                     A
    … Ek fera haasa na
    F#m                                 A
    … Mero aathmaa le saarai
    Timro ek muskaan
    F#m                                       A       Am
    …. Saahaara mai baachne cha

    ……E                            F#m
    Aauchau timi kuri rahe
    …..A        E
    Harey …
    ……..E                             F#m
    Chaayaa sangai bhaagine
    …..A        E
    Harey ..
    ……E                           F#m
    Maayaa chokho garine
    …..A        E
    Harey ..
    ….E                           F#m
    Aashaa dherai garine
    …..A        E
    Harey ..

    ..E                                   F#m
    [ Ha ha ha .. ha ha ha haaa ….
    ………..A                      E
    Ha ha ha haa .. hahahaa … ] – 4

    Furfuri  

    Capo on 6th fret

    Verse 1

    ……Em
    Oo .. jaane vaye jaau
    ……………Em
    Eh maya aba dherai nasataau
    …..Em                          G
    Oh timro tyo chaala, dekhera aaja
    A                             Em
    Furfuri laagyo ni lau
    …….Em
    Aba jaane vaye jaau
    …………..Em
    Eh maya aba dherai nasataau
    ….Em                           G
    Oh timro tyo chaala, dekhera aaja
    A                             Em
    Furfuri laagyo ni lau

    A                                             Em
    Aba afulai farki nahera malai

    A
    …….. Bharai bhagaai laanchu
    ………………….Em
    Doli ma chadhaai

    Music:

    Em
    [ Fuleko fula oilera jaancha,
    Em
    Mann mero jaandaina
    A
    .. Yei ho jiwan, daraai jaala
    G                           Em
    .. Yo tann jandaina ] – 2

    …….Em
    Aba furfuri garne baani
    ……….Em
    Malai achammai laagyo ni
    ….Em
    Ho timro tyo heraai,
    G
    .. Mutu mai lagyo
    A                                       Em
    .. Sakdina thaamna yo mann

    …….Em
    Aba jaane vaye jaau
    ……………Em
    Eh maya aba dherai nasataau
    …..Em                          G
    Oh timro tyo chaala, dekhera aaja
    A                                Em
    .. Furfuri laagyo ni lau

     
    Kumaari janani eh ho
    Em
    .. Kumaari janani devi
    A                                   G             Em
    …. Amuntra Bhairav hey janani
    Em
    Kumaari janani eh ho
    Em
    .. Kumaari janani devi
    A
    .. Ta ta ma ta tan mann tankaayo
    G             Em
    Eh kumaari

    …….Em
    Aba yo samundra paari jaau ?
    ….Em
    Ki tyo samundra paari
    …..Em
    Oh timro tyo heraai,
    G
    .. Mutu mai lagyo
    A                                       Em
    .. Sakdina thaamna yo mann

    …….Em
    Aba jaane vaye jaau
    ……………Em
    Eh maya aba dherai nasataau
    …..Em                          G
    Oh timro tyo chaala, dekhera aaja
    A                              Em
    .. Furfuri laaidu ki ?

    Music:

    K gardai ho kaanchi ?

    [ Jaane bhaye jaau kaanchi
    Laanchu tmi lai vana kanchi
    Jaane bhaye jaau kaanchi
    Doli maa chadhaai – 2

    Yo Mero Topi Ho By Gopal Yonjan