Laija Chari: Evergreen Nepali Melody by Yogeshwor Amatya

 

"Laija Chari" is a beautiful evergreen Nepali song, which has been clinging to the hearts of many Nepali music lovers. Sung by the emerging talent of a golden voice, Yogeshwor Amatya has made the song a powerful blend of soothing melodies, emotional lyrics, and a nostalgic tune that keeps listeners fascinated. In this blog, we explore the story of how the song and Yogeshwor Amatya as an artist came to be-why "Laija Chari" still moves a lot of people even to this day.

 

Yogeshwor Amatya: The Story Behind the Artist

To understand the details of "Laija Chari," one needs to know the person behind the voice, Yogeshwor Amatya. Yogeshwor Amatya was born on April 3rd and is a singer, musician, producer, actor, social activist, and photographer by occupation. He has been a key figure in the Nepalese music scene for a long time due to his performance in different styles and meaningful songs. He has sold over a million records and is considered one of the highest-selling music artists in Nepal, apart from being the most successful Nepali rock artist of all time.

 

Amatya came to fame with his song "Jaba Sandhya

Hunchha," and his popularity reached further with the release of his 1998 album "Karai Kara Le." This album reached a wide audience in Nepal because of its unprecedented style and lyrics. He continued his musical journey with the album "Ahile Chaahin Drabya Ko Aaasha Ma, Bastoo," which included the popular track "Wakka Dikka." Yogeshwor Amatya has also taken part in a Guinness World Record-setting project under the name "Melancholy Song," where he sang as a solo performer along with 365 other Nepali singers and musicians.

 

Laija Chari: A Song of Love and Longing

"Laija Chari" is a love song filled with longing and hope. The mellow guitar strums make the sweet tune take one through a trip of emotions. This song speaks to a lover yearning for his beloved, taking up the metaphor of a bird flying its way to deliver the messages to the faraway love.

 

Because of the simplicity in the lyrics and imagery used, this song can easily be related to. It's a universal feeling: missing someone and wanting to send them a love and hope message, which is something many people can relate to. This deep emotional resonance is one of the reasons why "Laija Chari" remains such a popular and timeless classic in Nepal.

 

Laija Chari" Lyrics The lyrics of "Laija Chari" are full of emotions, taking man to the realms of nature and love. Let's investigate some of the lines from the song:

 

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D           A            G

Kura sunchu naanaa thari

G               D             G

  Gaatho parcha   chati bhari

G

  Baha pokhne thaau chaina

C            D    Em     G

  Baseki chu   baatooo heri

D         G

Laijaa chari mero khabar

D                      G

  Jaha hola usko saharrrrr

 

In these introductory lines, he articulates the feeling of a lot of unuttered words he has in his chest. The metaphor of a bird carrying the message likens him to a chari; it really shows how much he's longing to reconnect with a person very, very far away.

 

The acoustic playing of the guitar harmonies mixes musically with the verses, adding to the nostalgic and ardent nature of the tune.

 

The Journey of Yogeshwor Amatya

Yogeshwor Amatya's journey to becoming one of the most iconic musicians of Nepal was not exactly a bed of roses. Born from a highly pioneering set of parents, Amatya grew up with a load of ambition and creativity. His father was the founding president of the Nepal Chalchitra Sangha, while he also initiated Kanti Ishwori Sishu Vidhyalaya, a school studied by members of the then-royal family. His mother, Lamu Amatya, was one of the pioneers in nursing education in Nepal and established the first nursing school at Chettrapati, and she is regarded as Nepal's first trained nurse.

 

Despite the glittering family background, Amatya's personal life was marred by personal struggles. At school, he was bullied because of his cleft lip, for which he changed schools to eventually attend North Point, Darjeeling. These were the formative years when music came to be his solace. Though he never had any formal training in music, Amatya was an avid music lover. Those days, the nights were long, with buddies jamming away into the darkness, having beers on end. He once said, "I never had any formal training regarding music.I guess I have to say I don't have any musical background, except for late-night jamming with tons of beer with my buddies."

 

A combination of his love for music and the encouragement by friends like Brajesh Khanal and Prabhat Rimal urged him to release his first album. He named the album "Karai Kara Le", stating it to be a dedication for his friends, thus forming the inception of the musical journey that would turn Amatya into a household name in Nepal.

 

Music and Beyond: The Many Facets of Yogeshwor Amatya

While music is the most significant piece of Amatya's life, it isn't his main energy. He is likewise a gemologist and has sought after a Confirmation in Gemology from the Gemological Organization of India, Bombay. Once, that's what he said on the off chance that he had not picked music as his labor of love, he would have been a goldsmith since he is charmed by those stones, particularly jewels and emeralds.

 

Amatya is likewise a gifted military craftsman and holds a dark belt in Judo. He additionally assumed a significant part in bringing Judo into the Kathmandu Valley when this specific military craftsmanship was as yet unlawful in Nepal. Being a scorer forward, he represented football clubs like Shreenath Gana and NRT. He was awarded the "Man of the Match" title during the WAVE Kick Off Cup 2006.

 

His interests are so varied that he even studied interior design for three semesters at Southern Illinois University Carbondale, USA. He even ran a pub at Durbar Marg in Kathmandu but closed it down owing to non-payment of dues by customers.

Impact of "Laija Chari" on Nepali Music

Not only is "Laija Chari" famous for its melody, but it also has profound depth regarding the emotional feel. The song completely reflected Nepali culture by amalgamating modern soft rock with traditional Nepali themes of love and longing. This song succeeded due to Amatya's blending abilities of these different styles into a unique sound that suits every age group.

 

One of the most salient reasons "Laija Chari" holds such an easy appeal for its listeners is because of its relatability. The lyrics speak about a common experience in life-one of not having a loved one nearby and yearning to send a message to that person. This universal image of a bird flying across the sky to be able to deliver this message to someone is just so beautiful, thus relating very well with the song on a personal basis.

 

Simplicity-beaded-with-guitar-chords is a part of the song's appeal, where D, A, G, and C create soothing and nostalgic feelings-a perfect couple to the emotional weight of the words. This combination of heartfelt lyrics with simple yet effective instrumentation elevates "Laija Chari" to classic status.

 

Yogeshwor Amatya's Legacy in Nepali Music

The contribution of Yogeshwor Amatya to Nepali music is way beyond the songs he wrote. An influential figure in establishing a soft rock genre in Nepal, he introduced new styles and sounds that greatly influenced many artists who followed in his footsteps. An experimental approach towards different genres and dedication to his work carved out a niche for him in Nepali music history.

 

Amatya's involvement in the "Melancholy Song" project that entered the Guinness World Records for having the most vocal solos in one song recording is a testament to his influence and standing in the Nepali music circles. To have him collaborate with 365 other artists shows his commitment to the growth and unity of the Nepali music industry.

 

Conclusion: Timeless Appeal of "Laija Chari"

"Laija Chari" is a song of an emotional journey which touches one's heart. With its lyrics, melody, and story behind the song all combined, the song is eternal. For most Nepalis, this song does remind them of love and hope for the longing of the past that has really made it timeless.

 

Equally fascinating is the life of Yogeshwor Amatya as an artist: from personal challenges to becoming one of the most loved musicians in Nepal, his is a story of survival, passion, and commitment. With his myriad interests and talents in music, martial arts, and gemology, he is one of the most unique figures in Nepali culture.

 

When we listen to "Laija Chari" and go through the vocal magic of Yogeshwor Amatya, we are reminded that music is that powerful medium which can link people emotionally and tell their stories. Whoever has been listening to this song for several years or those who have listened to it for the first time will find no words to avoid its magic spell, and the voice behind this song.

Reference

Hindi To Nepali Dictionary Words Starting From बो

100 Common Nepali Slang Words with Hindi Translation: A Fun Guide to Understanding Nepali Conversations

Bridging Cultures: Daily Use Hindi Sentences in Parties with Nepali Meaning

Daily Hindi Sentences for Kids with Nepali Translations: A Simple Guide

Daily Office Sentences: Essential Hindi-Nepali Translations for Everyday Use

Daily Use Hindi Sentences for Parents with Nepali Meanings: A Guide for Everyday Conversations

Daily Use Hindi Sentences for Students with Nepali Meaning

Essential Daily Sentences for Market Conversations: Hindi to Nepali and Vice-Versa

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Sanjha Pakha Ekaantama Chords & Lyrics : Famous Song Of Nabin K Bhattarai

 

Sanjha Pakha Ekaantama" is, in fact, an eternal track. Not just a track which the Nepali audiences loved in the 1990s, but it clicked with the new generation music lovers. It was a song of solitude, reflection, and nostalgia-themes that are universal, and that allowed this song to keep its relevance. Whether one has grown up paying attention to Nabin K Bhattarai or is new to his music, "Sanjha Pakha Ekaantama" is only the sort of melody that would evoke an emotional response right from the word go.

 

An Impression of the Times The last part of the 1990s and the mid 2000s were a period of progress, all things considered.

In any case, it was artists like Sanjay Shrestha, Kunti Moktan, Nalina Chitrakar, and Deepak Bajracharya who, due to their various styles, were sought after; one sparkling star of that time was without a doubt Nabin K Bhattarai. With his shy demeanor, cap on his head, and guitar over his shoulder, Nabin stood out among others, not only for his look but also for the emotional depth of his music.

 

"Sanjha Pakha Ekaantama" stood as a perfect reflection of the times, resonating in the evening with feelings of being alone, reliving life, relationships, and uncertainty about the future. Though simple, these feelings were poignant and soothing to hear for young people then. The song went on to become synonymous with the emotions of a generation who saw rapid changes both socially and culturally.

 

E             B

Sanjha Pakha Ekanta Ma

  A            E

Aafailai Birsinda

E                  B           E

Maghna Hunchu Ma Timro Geet Sunera

E             B

Godhuliko Jhismise Ma

  A              E

Aafailai Bhulidinda

 E                B

Danga Hunchu Ma Timro Preet Unera

 

C#m            B  C#m              B

Timilai Samjhinda Aafainlai Birshinchu

C#m            B C#m              B

Manko Pida Upkai Aafain Maa Tadpinchu

 

E             B

Sanjha Pakha Ekanta Ma

  A            E

Aafailai Birsinda

 

E            B

Kalpana Maa Ramaayera

 A                E

Aafain Maa Haraidindaa

E                B

Masta Hunchu Ma Timro Ooth Chumera

E           B

Sapana Maa Harayera

 A            E

Aafaima Dubidinda

 E                  B

Makkha Hunchhu Ma Timro Chot Bhulera

 

E             B

Sanjha Pakha Ekanta Ma

  A            E

Aafailai Birsinda

 

 

[{C#m            B  C#m              B

Timilai Samjhinda Aafainlai Birshinchu

C#m            B C#m              B

Manko Pida Upkai Aafain Maa Tadpinchu

 

E             B

Sanjha Pakha Ekanta Ma

  A            E

Aafailai Birsinda}] *2

 

The Musical Growth of Nabin K Bhattarai Nabin K Bhattarai's musical career has always been known for its many shades. Early in his career, he was known for creating songs that revolved around youthful love and solitude, much hinged on a melodic pop style. Albums like Raharai Raharma, Aavas, Smriti, Samjhana, and Samarpan, containing such simple yet powerful tunes, spoke much to the audience's heart. Represented through the respective albums, such as "Sanjha Pakha Ekaantama", these songs were slow and soft, melodic in nature, at times parallelled with the sentimental music style of artists like Pink Floyd, although very distinctly Nepali in their rendition.

 

However, Nabin K Bhattarai didn't adhere to one genre or style of music. As his career progressed, he started experimenting with various musical elements. His sixth album, Nabin, reflected a change in his music as he started encasing elements of rock in them. Songs like "Ali Alikati Pida" from the album G-Major were highly appreciated for their fusion of folk and pop, which reflected his willingness to push boundaries and keep his music fresh.

 

The way Nabin experimented with his music meant that with each new offering, he never failed to give his fans something new. This experimentation not only showcased his talent but also underlined how in tune he was with tastes of the audience that were slowly evolving. He merged modern Western influence with the traditional Nepali sound into a fusion that reached an array of audiences and secured a lifelong place in people's hearts.

 

Influence of Nabin on the Nepali Pop Scene: Nabin K Bhattarai is often referred to as the first real pop star of Nepal-a title he rightly deserves. His influence on the pop scene is immense, and many of today's young musicians grew up idolizing him. Relatable lyrics, gentle melodies, and a distinctive voice have made his songs inspirational for a host of budding artists who dream of careers in music.

 

Other tracks like "Sanjha Pakha Ekaantama" have also set a trend for what pop music in Nepal could be. During the time when pop started being the dominant genre in Nepali music, Nabin showed that the genre could hold deep emotional weight, too. He showed the world that pop music wasn't about catchy beats and upbeat rhythms but it could also be introspective, touching on themes of loneliness, reflection, and the many facets of human relationships.

 

The influence of his work can even today be reflected in the music of newer pop artists trying to capture the magic his songs had. It is emotional depth, simplicity of his melodies, and sincerity in his lyrics that bind even today Nepali pop.

 

Real-Life Connection and Cultural Relevance One of the reasons "Sanjha Pakha Ekaantama" has survived for so long is because it forms such a deep connection with its listeners. Almost all people have experienced those feelings, be it in the quiet evening solitude longing for someone who is no longer there, or remembering, with heart-aching nostalgia, days gone by. These are emotions that never relate to any place or a moment in time, but rather universal and timeless.

 

This song is something that makes a lot of Nepalis nostalgic. Be it the first love, comfort at home during childhood evenings, or the introspection that comes along with every change, "Sanjha Pakha Ekaantama" captures it all. The high cultural relevance has helped the song be included in Nepali households and a track which most people keep coming back to.

 

Beyond his music, the humility and devotion he has for his craft mark Nabin K Bhattarai. Having touched immense fame and success, he has never been carried away by success-a fact appreciated much by his fans. In the span of a 30-year-long career, he has churned out 16 albums, won numerous albums, and sold thousands of albums. Still, he does not make music for the sake of fame but for the love of the art in itself.

 

Even when the world came to a halt during the lockdown, he was continuously writing and composing new songs at home. Only such passion for music creation, irrelevant to the circumstances around, has kept him relevant all these years. His adaptability, evolution, and consistency have slid him into the place in the hearts of his fans and into the annals of Nepali music.

 

Another part of his legacy touches on involvement in social work, using his influence for the purpose of giving to the community. Similarly, his involvement in social projects has deemed him not only a celebrated musician but also a public figure who respects a change that can be brought about.

 

The Timeless Magic of "Sanjha Pakha Ekaantama" Music, being a universal art, knows no boundaries of language, culture, or time, and "Sanjha Pakha Ekaantama" is just one perfect example of that magic. It's a song of connectedness among people through the sharing of emotions, reminding us that in our solitude we are never really alone. There lies a shared experience within the emotions captured by his music, and it is this shared experience that has kept Nabin K Bhattarai's songs alive in people's hearts for years.

 

Besides being a survivor of the cruel test of time, "Sanjha Pakha Ekaantama" has acted as a bridge between the generations. This is a song that parents share with their children, a tune that brings them memories of growing up, and a work of art that finds its audience even today.

 

Conclusion In a world that always seems to buzz with activity and rush, "Sanjha Pakha Ekaantama" reminds us that quiet contemplation can be a thing of beauty. The song touches your heart as it captures the essence of solitude in a comforting-cathartic kind of way. Whether a die-hard, old-time fan of Nabin K Bhattarai or a new one, "Sanjha Pakha Ekaantama" is one of the essential songs-one that perfectly captures the magic of Nepali pop music and the deep artistry of Nabin. His talent, adaptiveness, and dedication to music all come into their own in his career. He has rightly earned his title: the "King of Nepali Pop." And songs like "Sanjha Pakha Ekaantama" keep on reminding us why. With its mitigating tune, genuine verses, and the indisputable voice of Nabin, this melody is something other than a hit; it is essential for the social texture of Nepal, a tune that keeps on contacting hearts and will for quite a long time into the future.

Reference

Hindi To Nepali Dictionary Words Starting From बो

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Sambhodhan Timilai Gardai Chhu Ma: Song and Singer Adrian Pradhan

 

Adrian Pradhan-just the name sends ripples into the heart of Nepali rock music. But that is just it; he is more than just a singer but a composer, a songwriter who has been oozing with passion ever since his musical journey began from Kalimpong in India to the stages of Kathmandu, laced with inspiration and determination. Having a distinct voice voicing Nepali culture and the spirit of rock, Adrian has cut a niche for himself in the music industry as one of the most celebrated artists in Nepal.

 

The song "Sambhodhan Timilai Gardai Chhu Ma" by Adrien is emotional and soulful, which reflects his deep attachment to the music and his art of bringing life to words with lyrics and melody. In this blog, we dive deep into Adrian Pradhan's musical journey, the creation of this song, and the impact it has had on fans around the world.

 

Adrian Pradhan's Musical Journey: From Kalimpong to Kathmandu

Adrian was born on August 18th in the beautiful town of Kalimpong, India. He developed a liking for music during his early school days at St. Augustine School, Kalimpong. It is here that his musical journey started with a mouth organ and a keyboard, took him further to playing the guitar in 1989, and then the drums in 1995. It was his school choir that helped him realize his musical talents; soon he started trying with different instruments, which helped him build his love for music.

 

Birth of His First Band: Eurika

Forming "Eurika" gave Adrian his first real taste of what it was like to be in a band. In class 10, Adrian played his first-ever gig with Eurika at a fundraising concert for the Blind School in Kalimpong. This laid the bedrock of his musical career to come and indeed gave him the much-needed confidence to perform and express himself through music. Later, he joined another band called "Flames," which toured all over India and caught the interest of papers like the Indian Edition of Sun Magazine.

 

Moving to Kathmandu-A New Chapter Begins

It was the year 1994, and Adrian came to Kathmandu, Nepal, for a fresh start in his life. He started teaching English and giving guitar lessons at Little Angels School for three years and later went to Galaxy Public School. Meanwhile, Adrian started developing his musical skills and building some relationships in the Nepali music sector.

 

Adrian started as a piano player with the reputed Nepali rock band 1974 AD in 1994. By 1998, he had become a full-time member of the band-playing multiple roles as a vocalist, drummer, and harmonica player. It was with 1974 AD that Adrian found his true musical family, and with it, he formed one of the most well-acknowledged rock bands in Nepal.

 

"Sambhodhan Timilai Gardai Chhu Ma" - Song That Speaks to the Soul

One of the most heart-touching and memorable songs by Adrian is "Sambhodhan Timilai Gardai Chhu Ma." The song contains powerful words with emotional lyrics, along with haunting melodies that cling on to the mind long after the music has stopped. Let us break down the song to understand its meaning and impact.

 

Lyrics and Chords

The lyrics of "Sambhodhan Timilai Gardai Chhu Ma" feature Adrian speaking to his loved one right from the bottom of his heart. The song is basically embodying a feeling of longing, nostalgic feelings, and devotion-all through the lyrical way and how Adrian delivers every line with raw emotion.

 

Here are the chords of the song:

 

     E    C#m       G#m       A
Sambodhan   timilai gardaichu ma
    E  C#m      G#m      A
Sikeka  ti sabai dhun harule
     E   C#m      G#m        A
Samarpan  geet yo gardai chu ma
   E   C#m        G#m      A
Timrai   ti mitha raag harule

**
G#m       A          E
   Chaadi gayou haamilai
G#m       A         E
   Jeevan ko yo mod ma
G#m       A          E
  Samjhana bhai bilaayou
         Bm        E
Hawaa sangai udi gayou
         Bm  D         E
Yaada maatra ha  aba rahyou


   E   C#m      G#m     A
Samjhana   mutuma aai rancha
      E   C#m        G#m     A
Bitholcha   biyog ka pal harule
    E   C#m      G#m      A
Tadiyou   timi nabhetne gari
     E   C#m      G#m    A
Angalcha   timrai bhawanale

This can also be very relatable to listeners due to the simplicity of this song, musically and lyrically. The constant chord progression of E, C#m, G#m, A allows the song to steadily advance and really complements lyrical themes regarding love and commitment.

 

Emotions Behind the Song

Adrian wrote "Sambhodhan Timilai Gardai Chhu Ma" to express the bonding between people, be it lovers, friends, or family. It speaks of memories and the time we share with those dear ones. The line "Chaadi gayou haamilai, Jeevan ko yo mod ma" reflects upon parting as sadness but keeps the memory alive.

 

This song simply echoes those people who have loved and lost because it says everything about how the memories of them will continue to comfort us when our loved one is no longer with us. The instrumental parts, mainly the guitar and harmonica, are extra emotional touches; sometimes, the instruments sound as if they are talking to your heart.

 

Adrian's Impact on Nepali Music

Adrian Pradhan has, over the last three decades or so, been a beacon in the Nepali music scene, gifting Nepali music lovers with some of the most memorable songs. His voice and the sounds of 1974 AD are the soundtrack to the lives of many Nepali listeners, both inside and outside Nepal's geographical boundary, wherever they may be in the world.

 

The Rise and Fall of 1974 AD

Adrian took a break from 1974 AD in 2015 due to which fans were disheartened. After three years, he joined the band again in 2019. On talking about this period, Adrian says, "There are bound to be misunderstandings and conflicts when you are together for so long. But the good thing is all of us realize our mistakes and for the sake of our music and fans we got back together."

 

This reunion was a moment of bliss among the fans of the band and Nepali music in general, since the powerful voice of Adrian, along with the energy of 1974 AD, had been missed so much. Music, through which rock blends with traditional Nepali sounds, had given them an identity, and their reunion started to bring hope and excitement back into the Nepali music scene.

 

Adrian's Solo Projects and Collaborations

Alongside 1974 AD, Adrian has been pursuing different solo projects. His albums, "Aaja," "Ballad," "Janani," and "Saath," reveal the various ways Adrian approaches music. These albums have spanned genres-from soulful ballads to upbeat rock songs-and reflect Adrian's deep love for music.

 

Adrian and Frendz

Adrian also happens to be the lead vocalist for the band Adrian and Frendz; he performs his solo songs along with other talented musicians in this ensemble. Members of the band include:

 

Anuj Karki - Band Manager

Sudan Raj Bajracharya - Drummer

Sujit Sahi - Bassist

Aman Shahi - Guitarist

Together, Adrian and Frendz have been able to provide beautiful music, which makes Adrian stand apart because of his signature style and being able to relate well to his audience.

 

Adrian's Thoughts on Nepali Music Today

The internet and streaming sites like YouTube have made a great difference in the Nepali music scene over the last few years. Adrian reflects on those changes: "Now we can sing in a room. We don't need to come to Kathmandu like we did in the past. Tribal Rain never came to Kathmandu. Neither did Bipul Chettri. There is nothing stopping anyone from becoming famous, provided one has the talent."

 

As he says, though the quality of recording and studio technology has gotten better, the market remains so small that an artist can hardly survive on just the sale of his music. Despite such challenges, Adrian remains optimistic about the future of Nepali music and is grateful for opportunities that have allowed him to perform in such diverse cities as New York, Sydney, Dubai, and London.

 

Adrian Pradhan: The Future

The more Adrian grows as an artist, the more he feels like writing songs in the future. "I had stopped writing due to my singing and working with the instruments. It's high time I should start writing. There are just so many new topics to explore," he says.

 

He does vocals, drums, guitar, and piano, as well as learning about music production, when not performing. Adrian believes that his vocal talent is something God gave him, yet feels the need to practice constantly to see this gift get better.

 

On the personal front, Adrian is upbeat about his son Prajwal Raj Pradhan beginning his musical journey. Adrian himself has a few projects lined up: a new song as part of 1974 AD and one Hindi ghazal penned by Anmol Gurung. "The artist says he is open to collaboration with other artists and he wants to keep pushing the boundaries of his creativity.

 

Conclusion: Sambhodhan Timilai Gardai Chhu Ma and the Legacy of Adrian Pradhan

"Sambhodhan Timilai Gardai Chhu Ma" is more than a song; it's about the journey of Adrian Pradhan, his struggle in music, and his commitment to his art. From Kalimpong to his success with 1974 AD and into his solo career, Adrian has always inspired his fans with talent and determination time and over.

 

His message to his fans is full of thankfulness: "My deepest gratitude to all my listeners, for their immense love and support. Let music always be in our lives, and may we all live in peace and harmony."

 

As we hear "Sambhodhan Timilai Gardai Chhu Ma" and all the other songs Adrian gave us, we know his songs have really crossed borders, embraced different people of the world, and touched their hearts with sincerity and depth.

Reference

Hindi To Nepali Dictionary Words Starting From बो

100 Common Nepali Slang Words with Hindi Translation: A Fun Guide to Understanding Nepali Conversations

Bridging Cultures: Daily Use Hindi Sentences in Parties with Nepali Meaning

Daily Hindi Sentences for Kids with Nepali Translations: A Simple Guide

Daily Office Sentences: Essential Hindi-Nepali Translations for Everyday Use

Daily Use Hindi Sentences for Parents with Nepali Meanings: A Guide for Everyday Conversations

Daily Use Hindi Sentences for Students with Nepali Meaning

Essential Daily Sentences for Market Conversations: Hindi to Nepali and Vice-Versa

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The Iconic Narayan Gopal and His Timeless Song "Mohani Laagla Hai" Lyrics and Chords

 

Narayan Gopal Gurubacharya, all the more broadly known as Narayan Gopal, is a name that resounds in the core of each and every music devotee in Nepal. He is all the more ordinarily alluded to as "Swar Samrat"- that is, "Ruler of Voice"- and has proactively made a permanent imprint in Nepali music history. The soulful voice of full-of-feelings Narayan Gopal has captured the hearts of millions, and his contribution to Nepali music makes him yet another eternal cultural icon. Among many favorite songs, his song "Mohani Laagla Hai" is always cherished by his older and younger listeners. In this blog, we talk about the life and musical journey of Narayan Gopal and the importance of the iconic song "Mohani Laagla Hai."

 

Early Life and Background

Narayan Gopal was brought into the world on October 4, 1939, in Kathmandu, Kilagal Tole, to a customary Newar family. Among the five siblings and three sisters, he was the one to focus on. His dad, Asha Gopal Guruacharya, was a traditional performer and has stayed confident about Narayan Gopal to be one more rendition of him. What's more, much to his dad's fulfillment, Narayan Gopal revealed a distinct fascination with music right from his life as a youngster, and this adoration for music developed further as he grew up. He effectively passed his SLC in the year 2016 B.S. Then, at that point, he joined Tri-Chandra School to read up for a Four year certification in liberal arts Certificate in Humanities. Afterward, he went to Maharaja Sayajirao College of Baroda in India to concentrate on Indian Old style music and never returned after he left.ic history.

 

Narayan Gopal married Pemala Lama in 1971, one of his admirers from Darjeeling when he was aged thirty years, but they didn't have children. Ups and downs didn't reduce the love for music, though. All his life, Narayan Gopal was committed to upgrading Nepali music, thus inspiring thousands of young budding musicians who wanted to emulate him.

G

Mohani laagla hai gaaunle ko boli le

Am                                  F

Danda kanda chahara ko geet le

G                              Am

Khyal thata nagara aljhela bagara

Am                       G    Am

Birsane lai samnjhana ko geet le

Am                       G

Birsane lai samnjhana ko geet le ( x 2)

 

 

G                             Am             G

Kun sanjog hola kun daiba hola bhet bhayo bagara

G                           Am              G

Kuna gaaun hola kun thaaun hola basne kun sahara ( x 2)

G

Yo mana udyo juoon tara chuna joon tara taado cha

Am                                        F

Akaashai baadhna sajilo man baadhna gaaro cha

G

Yo mana udyo juoon tara chuna joon tara taado cha

Am                                            F

Maya le mana badhhiye pachi phukaauna garo cha

 

G                                    Am             G

Samjhana rahala aajha ko saanjha ramailo bhet ghaat

G                                       Am             G

Manako kura nalukai bhana dui bachan haamro cha ( x 2)

 

The Birth of a Music Career

Musical journey of Narayan Gopal: Interestingly, Narayan Gopal's musical journey began in an interesting way. His friends Manik Ratna Sthapit and Prem Dhoj Pradhan were the first people who recognized his musical talent. Three of them used to go to Manik Ratna's residence where they would practice singing Hindi songs. When Narayan Gopal passed the SLC exams, Prem Dhoj Pradhan took him to Radio Nepal for a voice test, where he sang "Panchi ko pankha ma dharti ko diyo". Narayan Gopal cleared in his first attempt and a promising career began.

 

His first public musical performance was during the 40th anniversary of Tri-Chandra College, wherein he played the role of tabla player. From here to the "Swar Samrat" position, it had been a long journey with hard work, dedication, and love for music.

 

The Rise to Fame

After his voice became popular, Narayan Gopal started working with his friends and wrote songs in his own voice. He wrote six original songs-the lyrics were written by a contemporary poet, Ratna Shumsher Thapa. His songs were then recorded in Kolkata, India, and soon they became popular in Nepal and the Indian subcontinent.

 

Narayan Gopal made a name in Nepali musical history for making listeners feel strong emotions in his songs: love, longing, and patriotism. Songs such as "Jhareko Paat Jhai," "Yo Samjhine Man Cha," and "Saawan ko jhari bani" still resound in the hearts of listeners today. His collaborations with other great composers such as Gopal Yonzon, Natikaji, Amber Gurung, and Divya Khaling brought alive some eternal Nepali songs. All these legends together took Nepali music to a newer height, and Narayan Gopal's voice itself was a brand for emotion and excellence.

 

Mohani Laagla Hai: Song that Touched Millions

One of the most iconic songs performed by Narayan Gopal is "Mohani Laagla Hai." This song is just one example of his ability to reach into the hearts of those listening with his strong, yet subtle voice. Fascination, love, and regard are fully packed in the lyrical and melodious song "Mohani Laagla Hai" to express the very essence of feelings one goes through while being enchanted by somebody or something. The song has remained a household favorite in several gatherings and concerts as well as has become part of the favorites lists of fans who believe in the beauty of the voice of Narayan Gopal.

 

The lyrics of "Mohani Laagla Hai" reach out to describe someone who feels spellbound by another's presence; the magic is in the air, and the song creates emotions-a stark contrast to the skill of the singer Narayan Gopal. His vocal range allowed him to sing this song in such a way that it touched the feelings of the listener, making it an evergreen song across generations.

 

Narayan Gopal was a multi-skilled musician. Though he is best known as a singer, he was also a good music composer/music director. A few songs are composed by himself, and many known singers-such as Tara Devi and Phatteman Rajbhandari-recorded his compositions. He was also very much engaged with the editing job for the musical journal "Bageena" and held various positions in cultural institutions like Rastriya Naach Ghar, where he worked as a manager, and Lalit Kala Campus, where he had the position of Associate Professor.

 

Apart from music, Narayan Gopal had a number of other versatile aspects: he was interested in photography, loved to watch football, and was also an accomplished chess player. This multi-faceted personality made him popular not just within the music circle but beyond.

 

Contribution to Nepali Music

Narayan Gopal's contribution to Nepali music is beyond words. His songs are often rich in deep emotions, arousing resonance across different walks of life. He had an unmatched ability in capturing the essence of human experiences related to love, heartbreak, patriotism, and hope. His songs became anthems for many moments of people's lives; many of his songs were used in films, dramas, and other cultural productions.

 

But the most relevant collaboration was between Narayan Gopal and Gopal Yonzon, which gave birth to some of the most exquisite and enduring songs in Nepali music. His songs, so rich in melody and meaning, are still cherished today, and many aspiring singers look back toward the works of Narayan Gopal for inspiration.

 

Awards and Recognition

Narayan Gopal was bestowed with various awards and honors in recognition of his talent and contribution to Nepali music. Among the many awards he received included Best Composition and Best Singer by Radio Nepal, the Ratna Record Award, the Gorkha Dakshin Bahu Fourth, the Indra Rajya Laxmi Award, the Chhinalata Award, the Jagadamba Shree, and many more. These awards were indicative of his vast popularity and his significant contribution to the world of music.

 

The most significant musical performance of Narayan Gopal was his concert "Swornim Sandhya," held in the Royal Nepal Academy Hall in 1990. That was his final and most popular musical event, which described his immense talent and love for music. And just a few months later, the music world lost one of the brightest stars.

 

The Tradition of Narayan Gopal

Narayan Gopal died on December 5, 1990, because of entanglement of diabetes at 51 years old. It was a colossal misfortune for Nepal, and the remarkable convergence of fans and well-wishers to show regards to the left vocalist plentifully exhibited how much this craftsman was cherished. There were many recognized members in his burial service, and there was a colossal turnout by the public-a proof of the affection and regard that individuals had towards him.

 

Indeed, even a very long while after his passing, his tunes actually reverberation in the hearts of millions. Narayan Gopal is believed to be an immortal singer whose music is beyond time and will still go on inspiring new generations. His cassettes and CDs along with digital recordings remain hot sales in Nepal, and many young singers keep him as a role model.

 

Narayan Gopal is an institution in Nepali music culture, and his influence can be seen in many modern-day artists. A legend, his work-ethic, passion, and talent have gone hand in glove in bringing him to this stature, making his songs the treasure of Nepali culture.

 

Conclusion: Remembering Narayan Gopal and "Mohani Laagla Hai"

Narayan Gopal was not only a singer but also a cultural icon, an inspiration, and a beacon of hope for Nepali music. His voice would move people, and his songs were full of depth and meaning. "Mohani Laagla Hai" is one of those many songs that show his immense talent in connecting with audiences on an emotional level.

 

Yet, his music lives on to this day, and his songs continue to inspire and entertain people of all ages. He will be remembered always as Swar Samrat-or the Emperor of Voice-and his contributions to Nepali music will never be forgotten. To any lover of Nepali music, his songs stand in testimony to the beauty of melody and emotion, the power of a voice which time cannot touch.

Reference

Hindi To Nepali Dictionary Words Starting From बो

100 Common Nepali Slang Words with Hindi Translation: A Fun Guide to Understanding Nepali Conversations

Bridging Cultures: Daily Use Hindi Sentences in Parties with Nepali Meaning

Daily Hindi Sentences for Kids with Nepali Translations: A Simple Guide

Daily Office Sentences: Essential Hindi-Nepali Translations for Everyday Use

Daily Use Hindi Sentences for Parents with Nepali Meanings: A Guide for Everyday Conversations

Daily Use Hindi Sentences for Students with Nepali Meaning

Essential Daily Sentences for Market Conversations: Hindi to Nepali and Vice-Versa

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Lekali He Choya Ko Doko: Celebrating Ram Thapa’s Evergreen Song and Life

 

Nepali music has always been enriched with folk songs depicting Nepalese culture, landscapes, and feelings. A very iconic song in this genre is "Lekali He Choya Ko Doko," sung by ever-legendary folk singer and musician Ram Thapa. What Ram Thapa brought into Nepali music was his charming songs, and he is truly a pioneer to shape the landscape of folk music in Nepal. In this blog, we take a look into Ram Thapa's legacy, his popular song "Lekali He Choya Ko Doko," and his contribution to the Nepali music industry.

Who Was Ram Thapa?

Ram Thapa, known as a very esteemed folk singer and musician, was born on August 18th, 1958, in Kamalpokhar of Kathmandu. He is widely renowned for his soulful voice, relatable lyrics, and his great contribution to Nepali music. A singer who started his career in 1974, Ram Thapa sang over 150 folk songs and directed more than 200 songs in his lifetime. His songs were essentially folk tunes narrating the story of the Nepali people about their joys, sorrows, and aspirations.

Ram Thapa also worked on publishing music books of lyrics and chords in Nepal, making him the first among the few to teach aspiring musicians how to play Nepali music. He has played an influential role in bringing traditional Nepali music to all, making his contribution quite essential to the musical education of many Nepali artists.

He started his singing career as a child when he cleared a voice test from Radio Nepal in 1974. Ram Thapa's first recorded song, "Hai Hai Bankali Mai," made him an overnight sensation and threw him into the limelight of his journey to be a beloved folk singer.

Early Life and Personal Background

He was born to father Hastabahadur Thapa and mother Hirakumari Thapa. He spent his childhood in Kamalpokhar, Kathmandu, where he initiated his interest in music since his childhood. He passed his SLC examination in 1972 at the age of 14 years from Yuwak Ma. Vi, Paknajol .

Thapa's interest in music was apparent since his childhood. He initiated his singing in school days and became instantly successful. He succeeded with his first song "Hai Hai Bankali Mai" and thus, he continued dreaming of music. He joined Radio Nepal as a Music Director- Sangeet Nirdeshak and continued working there for years by creating and promoting Nepali folk music. He went on to become the senior music coordinator at Radio Nepal for over two decades. He contributed much to the institution and to the talents that walked in during his time.

Ram Thapa married Rajani Thapa, who was very supportive of his musical endeavors. Thapa's work in Nepali music garnered him with awards throughout his lifetime, and his work continues to be recognized today.

Ram Thapa's Musical Contributions

Ram Thapa has been contributing a lot to Nepali music from the beginning of his career. With his soulful way of singing, humorous lyrics, and connectivity with his audience through music, he has been well liked. His most famous songs include "Katar Katar Ma," "Lekali He Choya Ko Doko," and "Kati Baschhau Maitikai Kausima." BBC recognized his song "Reetu Haruma Timi" as the 7th best Nepali song in 2003.

Besides being an excellent singer, Ram Thapa was an equally talented music director; he wrote and directed over 200 songs, which are still favored among all age groups in Nepal. He also judged the popular TV program Nepali Tara I & II and mentored many budding singers in shaping the next generation of Nepali musical talent.

Besides his recordings and performances, Ram Thapa pioneered music education in Nepal. He was the first to publish books of lyrics and chords, enabling greater access to traditional Nepali music for aspiring musicians. This book gave a foothold to young, upcoming musicians for learning and practice in the folk songs and is irreplaceable in the Nepali music world. Song "Lekali He Choya Ko Doko"

One of the most famous songs of Ram Thapa is "Lekali He Choya Ko Doko." This is not a song; it's an experience that echoes in listeners' hearts. In these lyrics, livelihoods of people residing in hills, simplicity of emotions, and attachment to nature have been elaborated. "Lekali He Choya Ko Doko" epitomizes the essence of rural Nepalese life, vividly painting a picture of daily struggles, joys, and hopes.

Above all, the song has a melody that's very catching and soothing to the ears of listeners of every age group. The powerful voice of Ram Thapa gave full life to the lyrics, which has made this song evergreen. Here are the lyrics and chords to this iconic song:

Lekali He Choya Ko Doko Chords and Lyrics

G                     D     G

Lekali he he choya ko doko

G                       D

Sano maya he he lagaune dhoko

C                   G

Napugdai marchu po kyare

          D             G

E bhana soltee barobar nadhate

 

G                       C

Bagyo khola besi gharyo sammai

C                     G

Timro maya kaleji ma tammai

G               C

Ankhaima Gajal lapakkai

C                      G

Bhana maya laidiun ki chapakkai

G          C                  G

Baisainma Baisainma marchu po kyare

D             G

E bhana soltee barobar nadhanti

 

G                   C

Rato cholo pakurima timikkai

C                   G

Basyo maya ankhaima jhimikkai

G                  C

K godnu karkalo bari

C                         G

Parkha timilai roirane napri

G         C                    G

Baisainma baisainma marchu po kyare

          D             G

E bhana soltee barobar nadhanti

Song Breakdown

"Lekali He Choya Ko Doko" is a story of love, longing, and the small pleasures of life in rural areas. The lyrics are packed with imagery capturing the hills, flowing rivers, and emotions of the people inhabiting it. Of course, there are references to traditional items like "choya ko doko" or the bamboo basket that points out the culture and way of living of the people.

The song contains pretty simple chords, probably the reason this song is favored by almost every jamaica  to play in any occasions or get-togethers. The song beautifully flows with its chord progression, which alternates between G, D, and C chords, adding up to the soothing and nostalgic quality of the song.

Legacy of Ram Thapa in Nepali Music

Ram Thapa left no mark; rather, he created a niche in Nepali music and a contribution which still heralds in the industry. His songs are still popular and ring in festivals, gatherings, and other cultural events of the Nepalese people. Thapa's influence is not limited to his songs but also to helping lay the foundational stones for music education in Nepal, influencing many young musicians into the passion.

He was also famous for his comic songs, which made people laugh. His songs used to reveal the peculiarities of life in rural Nepal and his sense of humor shone through in the witty lyrics. The ability to mix humor with traditional folk songs made Ram Thapa a household name in Nepali music.

Remembering Ram Thapa

Thapa passed on November 20, 2008, at 50 years old years because of liver difficulties he had been battling for a considerable length of time. At the hour of his demise, he was going through treatment at Kathmandu's Norvic Clinic. He was an irreparable loss for Nepali music, and though he may be gone, his melodies live among those he allowed to sing, learned their music education from him, and scores of budding musicians he influenced in one way or another.

Thapa was cremated at the Pashupati Aryaghat, a highly important cremation site in Nepal. Rajani Thapa, his wife, gave fire to his funeral pyre to bid farewell to a man whose music touched the hearts of many.

Celebrating Ram Thapa's Songs Today

The beauty of Ram Thapa's music is that it does not die with time. Even today, his songs are relatable to the audiences, and these songs are still loved by a newer generation of music lovers. Most of the songs he sang, like "Lekali He Choya Ko Doko," are still played in cultural programs and remind us of the richness of Nepali folk music.

The simplicity and authenticity of his lyrics combined with the soulful voice make his songs an inherent part of Nepal's music culture. And amateur musicians still learn from his music books, while guitarists very often play his songs to pay tribute to his contributions.

Learning "Lekali He Choya Ko Doko" on Guitar

Learning "Lekali He Choya Ko Doko" will help bridge your gap in connecting with the culture of Nepal if you are a guitarist or love to sing. The chords are very simple, and hence, even beginners can have a go at it. You will get a feel of the distinct rhythms and melodies that define Nepali folk music once you learn this song.

Start off by practicing the chord transitions: G, D, and C. Once you are comfortable, you can tell how laid-back the strumming pattern in the song is in order to feature the beauty of the melody and the lyrics. When you get comfortable with the voicing of the chords, try to sing this song to evoke the feelings that Ram Thapa had put into his music.

Conclusion:

Ram Thapa's contribution to Nepali music cannot be measured. Besides being a singer, he was also a teacher, a mentor, and even a pioneer who brought traditional folk music within the reach of all citizens. His song "Lekali He Choya Ko Doko" remains iconic in Nepali musical history, and its simplicity, beauty, and emotion epitomize rural life.

Thapa created a mark through his work at Radio Nepal, as a judge in Nepali Tara, and the hard work he put into music book publications. That leaves a legacy that still lives on to inspire artists even today. All coming together as celebration of life and his music, we remember how folk songs work to unite people, tell their stories, and keep traditions alive.

Ram Thapa may be gone, but his voice and his music would keep on echoing in the hearts of the Nepali people for many generations to come.

Reference

Hindi To Nepali Dictionary Words Starting From बो

100 Common Nepali Slang Words with Hindi Translation: A Fun Guide to Understanding Nepali Conversations

Bridging Cultures: Daily Use Hindi Sentences in Parties with Nepali Meaning

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