The lyrics and chords of Diwas Gurung's songs are a
captivating blend of poignant storytelling and melodic complexity, reflecting
his deep roots in Nepali culture and his diverse musical influences. His lyrics
often evoke a sense of nostalgia and introspection, weaving narratives that
resonate with personal and collective experiences. The chords he employs range
from simple yet evocative progressions to intricate arrangements, showcasing
his mastery of the guitar and his ability to create rich, atmospheric soundscapes.
Gurung’s music effortlessly bridges traditional Nepali sounds with contemporary
styles, making his songs both timeless and innovative, appealing to a wide
array of listeners.
Diwas Gurung's rise to prominence in the music industry is a
testament to his dedication, talent, and adaptability. Born and raised in
Kathmandu, Nepal, Gurung never envisioned himself becoming one of Nepal's most
sought-after music producers. However, over the past three decades, he has not
only achieved this status but also contributed significantly to the music scene
both in Nepal and the United States.
Early Life and Musical Beginnings
Gurung's musical journey began at the age of ten when he
first picked up a guitar, inspired by bands like ACDC, Metallica, and artists like
Steve Vai. Despite the initial challenge of learning the instrument, he
rekindled his passion at fourteen and became inseparable from his guitar. His
dedication was so intense that his parents occasionally had to hide his guitar
to ensure he focused on his studies.
Albatross and the Kathmandu Music Scene
By the 2000s, Gurung's guitar skills had developed
significantly. He joined the band Albatross during a transitional period when
they were shifting from heavy metal influences like Pantera and Sepultura. His
time with Albatross, marked by energetic performances and deep musical
engagement, stands out as one of the most memorable phases of his early career.
Transition to the United States
In 2002, Gurung moved to the United States to pursue a
degree in economics, marking the end of his musical journey in Nepal and the
beginning of a new chapter in Ithaca, New York. There, he met Shrikhar
Bajracharya, and together they formed the band Ayurveda. Ayurveda's music
blended rock with progressive, ambient, heavy, and electronic elements, infused
with Nepali influences.
Ayurveda and Rato Mato
With Ayurveda, Gurung performed across the United States,
captivating both American and Nepali audiences. Their notable project, Rato
Mato, was a collection of classic Nepali songs reimagined in their unique
style. This project not only solidified their musical identity but also helped
Gurung secure a cultural artist visa, enabling him to continue his musical
endeavors in the U.S.
Move to Brooklyn and Shift to Production
After Ayurveda disbanded in 2013, Gurung moved to Brooklyn,
New York. It was here that he immersed himself in music production, dedicating
around 10,000 hours to perfecting his craft. His first solo album, Jharana
Sahar, released in 2015, was a product of this intensive learning and
experimentation.
Breakthrough as a Producer
Gurung's career as a producer gained significant traction
when Bartika Eam Rai approached him to produce her album Bimbaakash. The
success of this collaboration led to numerous opportunities to work with
emerging Nepali artists like Bikki Gurung, Yugal Gurung, and Dibesh Pokharel,
also known as Arthur Gunn. His production work has been lauded for its ability
to bring out the best in artists, aligning their vision with his unique sound.
Vision for the Future
Despite his achievements, Gurung remains humble and focused
on the future. He dreams of establishing a studio in Nepal to nurture and guide
the next generation of Nepali musicians, helping them reach a global audience.
He believes in sharing his knowledge and experiences to aid others in achieving
international success.
Personal Philosophy and Current Work
Gurung’s lyrics are known for their meaningful and nostalgic
quality, resonating deeply with listeners. As both a singer and songwriter, he
continues to produce music that speaks to the soul. Although his production
work has sometimes overshadowed his singing, he remains committed to his
personal musical projects.
Currently, Gurung is working on releasing a new album while
continuing to produce music for other artists. His meticulous approach to
production ensures that every project he works on reflects a high standard of
quality and artistic integrity.
Conclusion
Diwas Gurung's journey from a young guitar enthusiast in
Kathmandu to a renowned music producer in Brooklyn is a story of passion,
perseverance, and continuous learning. His contributions to the music industry
have not only enriched Nepali music but also bridged cultural gaps, bringing
the sounds of Nepal to a global stage. As he looks to the future, Gurung's
vision of fostering new talent and expanding the reach of Nepali music promises
to keep him at the forefront of the industry.
Diwas Gurung's songs are a testament to his deep connection
with music and his ability to convey complex emotions through simple yet
profound lyrics and intricate chords. His lyrical content often evokes a sense
of nostalgia and introspection, resonating with listeners on a personal level.
The chords in his music, meticulously crafted, enhance the emotional depth of
his lyrics, creating a harmonious blend that is both soothing and stimulating.
Gurung's dual talent as a lyricist and a musician allows him
to create pieces that are not only musically rich but also lyrically engaging.
His songs often explore themes of identity, longing, and the passage of time,
reflecting his own journey and experiences. This personal touch makes his music
relatable and meaningful to a broad audience.
Moreover, Gurung's influence extends beyond his own music as
he collaborates with and mentors emerging artists, helping them find their own
voice while incorporating his distinctive style. His work in production has
further highlighted his ability to craft songs that are both commercially
viable and artistically significant.
In essence, the lyrics and chords of Diwas Gurung's songs
are a reflection of his artistic vision and dedication to his craft. They offer
a unique blend of traditional Nepali elements and contemporary sounds, making
his music a bridge between the past and the present. As he continues to evolve
as an artist, his songs will undoubtedly remain a vital part of the musical
landscape, inspiring both listeners and fellow musicians alike.
BimaanE F#m Himala ma luki basne G# A Bimaan chadera ….A G# K ho k ho C#m F# Kahile kahi B E Hamlai pani udhai laga E F#m Badal bich nachi hidne G# A Panchi vayera ….A G# K ho k ho C#m F# Kahile kahi B E Hamlai pani tipi laga C E C E Yaha bata tadha Uuu uuu uuuuu …. E F#m Dada kada duli hidne G# A Batas banera ….A G# K ho k ho C#m F# Kahile kahi B E Hamlai pani jhaskai laga A Hami tala (Hami tala) A Timi mathi ( Timi mathi ) B Tadha vayo yo duri sathi A Ekaichin ma bilai janchau B Kata lagchau vana nadhati C D E B7 Kata lagchau vana nadhati E F#m Aadha raat ma chamki rahane G# A Tara saraha ….A G# K ho k ho C#m F# Kahile kahi B E Hamlai pani dorai laga C E C E Yaha bata tadha Uuuhuuuu uuuuuuu A Hami tala (Hami tala) A Timi mathi ( Timi mathi ) B Tadha vayo yo duri sathi A Ekaichin ma bilai janchau B Kata lagchau vana nadhati C D E B7 Kata lagchau vana nadhati E F#m Himala ma luki basne G# A Bimaan chadera ….A G# K ho k ho C#m F# Kahile kahi B E Hamlai pani udhai laga C E Yaha bata tadha – 4 Uuuhu uuuuuu |
Maachi KadaileLai Maya laudai maa Chekyo dadai le D Mero maaya, mero maaya D Mero maaya kaa hola, kaa hola D Kaa hola, kaa hola ? D Din maa aaune surya lai Thaahaa holaa D A Maachi kadaile najar laudai ma D Chekyo daadai le D A Maachi kadaile najar laudai ma D Chekyo daadai le Verse 2 D Mero maaya, mero maaya D Mero maaya kaa pugyo vani D Kaa pugyo vani D Rukh chadi herdai chu ma pani D A Maachi kadaile najar laudai ma D Chekyo dadai le D A Maachi kadaile najar laudai ma D Chekyo dadai le D Mero maaya, mero maaya D Mero maaya nau daada paari cha D Nau daadaa paari cha D Rudo hola deurali bhakera D A Maachi kadaile najar laudai ma D Chekyo dadai le D A Maachi kadaile najar laudai ma D Chekyo dadai le |
Aayeko MaCm Gm Cm …..Madhesh ko, sheet lahar ………….Gm Cm Angaalera, aayeko ma …………Cm Aayeko ma Cm Gm Cm …Hiu chuli ko chaya chumdai ………….Gm Cm Aattido mann lai samjhaudai ………….Cm Aayeko ma G# A# Hoo… khojdai chu aaja ………………Gm Tyo hamro chaayaa ……………..Cm Tyo timro maayaa G# A# Hoo.. kata gayo ………………..Gm Tyo haamro chaayaa ……………..Cm Tyo mitho maayaa ……………G# A# Gm Cm Ha ha ha haa …. Cm Gm Cm ….Saagar chune, hamro rahar ………………Gm Cm Marbhumi maa, sangaalera …………Cm Aayeko ma Cm Gm Cm …Madesh chodi, himal pahaad ……………Gm Cm Bethaa kamaauna, ghoteko ma …………Cm Gayeko ma G# A# Hoo… khojdai chu aaja ………………Gm Tyo hamro chaayaa ……………..Cm Tyo timro maayaa G# A# Hoo.. kata gayo ………………..Gm Tyo haamro chaayaa ……………..Cm Tyo mitho maayaa ……………G# A# Gm Cm Ha ha ha haa …. |
Laijau..E5 [ Laijau C#5 G#5 Pachauri le baadhi laijau A5 G#5 Chultho le chopi laijau A5 F#5 B5 Maayaa le taani laijau ] – 2 E5 E5/D# C#5 Mata ta timrai hoina ra thuli B5 Timlai maalum kei pani A5 Chaina ra ? E5 E5/D# C#5 Mata ta timrai hoina ra thuli B5 Timlai maalum kei pani A5 Chaina ra ? Music: E5 C#5 Timro laagi maile kati G#5 A5 E5 Kati baadha haru lai sahe E5 C#5 Timro laagi maile kati G#5 A5 E5 Kati baadha haru lai sahe C#5 Timro yaad maa B5 A5 Kalpi kalpi ma, A5 G#m Kati ma tadpi rahe A5 Am Kati ma tadpi rahe E5 Laijau C#5 G#5 Aakhai maa basaai laijau A5 G#5 Mutu maa lukaai laijau A5 F#5 B5 Muskaan maa sajhaai laijau E5 E5/D# C#5 Udhi jam ta, ma panchi hoina B5 Basna lai kahi pani A5 Mann chaina E5 E5/D# C#5 Udhi jam ta, ma panchi hoina B5 Basna lai kahi pani A5 Mann chaina E5 C#5 Deurali ko paakha bhari G#5 A5 Ghar paari ko daadaa ……………………E5 Haru lai sodhe E5 C#5 Deurali ko paakha bhari G#5 A5 Ghar paari ko daadaa ……………………E5 Haru lai sodhe C#5 B5 A5 Kahi katai maile bhetina, A5 G#m Saara sansaarai khoje A5 Am Saara sansaarai khoje E5 Laijau C#5 G#5 Aakhai maa basaai laijau A5 G#5 Mutu maa lukaai laijau A5 F#5 B5 Muskaan maa sajhaai laijau E5 Laijau C#5 G#5 Pachauri le baadhi laijau A5 G#5 Chultho le chopi laijau A5 F#5 B5 Maayaa le taani laijau [ Maayaa le taani laijau ] – 4 |
Aakasaima Chainaहे...अकाशमा छैन त्यो कालो बादल सुन्यौं यो सानो माया कता बाट गर्झ्यो मेघ तिम्रै खातिर ले माया तेसो नभनन अकाशमा छैन त्यो कालो बादल सुन्यौं यो सानो माया कताबाट गर्झ्यो मेघ तिम्रै खातिर ले कठै माया भनन अकाशमा छैन त्यो कालो बादल सुन्यौं यो सानो माया कताबाट गर्झ्यो मेघ तिम्रै खातिर ले कठै माया भनन कता बाट गर्झ्यो मेघ कता बाट गर्झ्यो मेघ पहिरो ले लग्यो पोहोर साल घर खेत कुन्नी यो माया को बारी पुरियो अहिले दैव के हुने हो मायाको बारी पुरियो अहिले दैव के हुने हो हे... लाग्छ मलाई डर तिम्रै खातिर सुन्यौं यो सानो माया के को भरमा परेनी अर्कै गुनासोमा कठै तेसो नभन लाग्छ मलाई डर तिम्रै खातिर सुन्यौं यो सानो माया के को भरमा परेनी अर्कै गुनासोमा कठै तेसो नभन मैं परेनी पासोमा जोबन डुब्यो हासोमा पहिरो ले लग्यो पोहोर साला घर खेत कुन्नी यो मायाको बारी पुरियो अहिले दैव के हुने हो मायाको बारी पुरियो अहिले दैव के हुने हो |
Laijauलैजाऊ, पछ्यौरीले बाँधी लैजाऊ चुल्ठोले छोपी लैजाऊ मायाले तानी लैजाऊ chorus लैजाऊ, पछ्यौरीले बाँधी लैजाऊ चुल्ठोले छोपी लैजाऊ मायाले तानी लैजाऊ hook म त तिम्रै होइन र, ठूली तिम्लाई मालुम केही पनि छैन र? म त तिम्रै होइन र, ठूली तिम्लाई मालुम केही पनि छैन र? verse तिम्रो लागि मैले कति-कति बाधाहरूलाई सहेँ तिम्रो लागि मैले कति-कति बाधाहरूलाई सहेँ तिम्रो यादमा कल्पीकल्पी म, कति म तड्पिरहेँ कति म तड्पिरहेँ chorus लैजाऊ, आँखैमा बसाई लैजाऊ मुटुमा लुकाई लैजाऊ मुस्कानमा सजाई लैजाऊ hook उडी जाम् त म पक्षी होइन बस्नलाई कहीँ पनि मन छैन उडी जाम् त म पक्षी होइन बस्नलाई कहीँ पनि मन छैन verse देउरालीको पाखाभरि, घरपारिको डाँडाहरूलाई सोधेँ देउरालीको पाखाभरि, घरपारिको डाँडाहरूलाई सोधेँ कहीँकतै मैले भेटिन, सारा संसारै खोजेँ सारा संसारै खोजेँ chorus लैजाऊ, आँखैमा बसाई लैजाऊ मुटुमा लुकाई लैजाऊ मुस्कानमा सजाई लैजाऊ chorus लैजाऊ, पछ्यौरीले बाँधी लैजाऊ चुल्ठोले छोपी लैजाऊ मायाले तानी लैजाऊ outro मायाले तानी लैजाऊ मायाले तानी लैजाऊ मायाले तानी लैजाऊ मायाले तानी लैजाऊ |
Haami Aayouहामी आँयौ, आधा रातमा बन्दुक हातमा, डर छ छातीमा हामी आँयौ, आधा रातमा बन्दुक हातमा, डर छ छातीमा निडर नेपाली सबै भन्छन् तर किन छ डर यो छातीमा हिजो सम्म दौडी खेल्थौ आज फसे म ज्यानको झेलैमा सल्काइदेउ शिकारी बनाइदेउ खरानी हिजो सम्म दौडी खेल्थौ आज फसे म ज्यानको झेलैमा मानिस भइ, मानिस मारी के पाउछौ र, यो जिन्दगानिमा? नजिक आयो, ढुकढुकी बड्यो त्राशको बास भो यो मेरो छातीमा जे गर्न आए त्यो गर्नु छ अरु केही बाटो म देख्दिन मार्ने मर्ने, ध्वस्त पार्ने मानिसको बानी, कहिले मरेन सल्काइदेउ शिकारी बनाइदेउ खरानी हामी आँयौ, आधा रातमा बन्दुक हातमा, डर छ छातीमा हामी आँयौ, आधा रातमा बन्दुक हातमा, डर छ छातीमा |
Reference
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