Prakash Saput's songs are a rich tapestry of lyrical depth and musical simplicity, combining poignant storytelling with melodious tunes. His lyrics often delve into social and political issues, reflecting the struggles and resilience of marginalized communities in Nepal. Songs like "Bola Maya" and "Phuteka Chura" capture the emotional and financial hardships faced by families of migrant workers, while "Mero Pani Haina Ra Yo Desh" and "Pir" tackle broader national concerns. The chords in Saput's music are typically grounded in traditional Nepali folk styles, creating an authentic and rustic sound that complements his heartfelt lyrics. This combination of meaningful lyrics and accessible chords not only makes his music relatable but also allows it to resonate deeply with a wide audience, cementing his place as a significant figure in contemporary Nepali music.
Early Life and Personal Background Prakash Bishwakarma,
widely recognized as Prakash Saput /प्रकाश सपुत, is
a prominent Nepalese singer, composer, model, and actor. Born into a Dalit
family, Saput's early life was marked by socio-economic hardships and systemic discrimination.
Despite these challenges, he nurtured a passion for singing and dancing, often
performing at local events in his village. As a child, he dreamed of becoming
an actor, a desire that was met with skepticism by those around him.
Saput's journey to Kathmandu, where he eventually pursued
his career in music, was marked by various trials. He worked as a radio jockey
at Dhaulagiri FM, hosting a program called "Just for You," where he
was responsible for writing, presenting plays, and managing audio recordings.
This role honed his skills and set the stage for his future endeavors in music
and entertainment.
Career Beginnings and Breakthrough Prakash Saput released
his debut album in 2011, introducing himself to the Nepali music scene with his
song "Gari Khana Deu," which addressed social issues. His initial
release, however, was the folk song "Musu Musu Na Hasa." Despite a
modest start, it wasn't until 2018 that Saput gained widespread recognition
with the release of "Bola Maya," a song that resonated deeply with
the masses. This was followed by other hits such as "Dohori Battle"
(2018), "Galbandi Chyatiyo" (2019), "Phuteka Chura" (2020),
"Mero Pani Haina Ra Yo Desh" (2021), "Kura Bujhnu Parcha"
(2021), "Pir" (2022), and "Sakambari" (2023).
Saput's music often reflects his personal experiences and
societal issues, blending rustic, ethnic flavors with contemporary themes. His
songs are not just melodies but narratives that depict the struggles and
resilience of ordinary people, particularly those from marginalized
communities.
Impact and Recognition Prakash Saput's music is known for
its poignant storytelling and social commentary. "Bola Maya," for
instance, draws on the personal history of his father, who, like many other
young men from Nepal, went abroad to work, only to return in a coffin. The song
captures the emotional and financial toll of foreign employment on Nepali
families, a theme that struck a chord with many listeners.
Saput's compositions are characterized by their authenticity
and emotional depth, which have earned him a dedicated following. His ability
to address social issues through music has made him a significant cultural
figure in Nepal.
Challenges and Triumphs Saput's life is a testament to
overcoming adversity through perseverance and talent. Growing up in a society
that marginalized his community, he faced numerous obstacles. His family's
economic struggles forced him to consider foreign employment, and he even
trained as a security guard to go to Qatar. However, a twist of fate saw him
stay in Nepal, where he continued to pursue his passion for music.
One pivotal moment in Saput's life was his encounter with
Prithvi Thakali, who offered him a job at Prithvi Entertainment. This
opportunity alleviated his financial difficulties and allowed him to focus more
on his music career.
Legacy and Future Aspirations Prakash Saput's journey from a
small village to becoming a celebrated musician is inspirational. His work as a
singer, lyricist, director, choreographer, and actor showcases his multifaceted
talent. Currently, he is also working on a book, expanding his creative
repertoire.
Saput's aspiration to become an actor remains strong, with
plans to star in a movie in the near future. His career continues to evolve,
reflecting his unwavering commitment to his craft and his ability to inspire
through his music and stories.
In summary, Prakash Saput's life and career encapsulate the
spirit of resilience and creativity. From humble beginnings in a Dalit family
to becoming a voice for social change through his music, Saput's journey is a
remarkable narrative of hope, talent, and perseverance.
Phoolmayaकानमा झुम्काना तिम्लाई कल्ले किन्दियो नाकको बुलाकी तिम्लाई कल्ले किन्दियो.. पाउमा लाको पाउजु, हातमा सुनको चुरा तिम्लाई कल्लले किन्दियो… फुलमाया ६ जाग्यो रहर पापी शहरको छैन सिमाना आफ्नै रहरको लौ धर्मै मास्ने जहर लौ रङ्गीन रङ्गीन रहर तिम्लाई कल्ले किन्दियो.. फुलमाया.. जोवन साटेउकी धनको आसैले बहकायोकि तिम्लाई कसैले हेर हिड्छेउ पर पर. हेर रातै स्कुटर… तिम्लाई कल्ले किन्दियो.. फुलमाया धुवाँ सरी मन उड़न दियौर फुलै सरी तन चुँडन दियौर… यस्तो आँखा खाने डाईमण्ड यस्तो ईमान खाने घमण्ड तिम्लाई कल्ले किन्दियो.. फुलमाया घाटी निरै डाम के को होलानी राती तिरै काम के को होलानी ओहो मुल्य बढी बढी, ओहो मोबाईल टिभी घडी तिम्लाई कल्ले किन्दियो.. फुलमाया रस गालैको सुकी जानेछ आफ्नै आत्माले थुकी जानेछ यो वैश सधै फल्छ, यो जिवन यसै चल्छ तिम्लाई कल्ले भन्दियो.. फुलमाया |
Mutu katakkaiसंसारै चलाउनी माया संसारै जालाउनी माया संसारै हासाउनी माया संसारै रुवाउनी माया यो माया रुख मा पात मा हांग्गा मा जरामा फूलमा मौरीमा माछामा चरामा का छैन र माया को छ र माया नलाको चोखो को छ र माया ले नरोको डाँडै चढे पनि गहिरै झरे पनि गीतै सुने पनि आउने झाको ढोकै थुने पनि ए नलाउ माया कसैले गहिरो जादो रैछ मुटु मा पहिरो छोडेउ चटक्कै ये छोडेउ चटक्कै , छोडेउ चटक्कै आह छोडेउ चटक्कै , छोडेउ चटक्कै तिम्रै झल्को ले मुटु कट्टकै ये छोडेउ चटक्कै , छोडेउ चटक्कै …२ तिम्रै झल्को ले मुटु कट्टकै राम लाइ हेर सीता लाइ कृष्ण लाई हेर राधा लाइ हेर हेर मुना लाइ मदन लाइ हेर लैलालाइ हेर मज्नु लाइ हेर कसको माया सफल छ को छ र माया नलाको छोखो को छा र माया ले नरोको आकाश गए पनि पाताल गए पनि जति सहे पनि पर्छ पिर देउतै भए पनि ये बर ओइलिएओ पिपल को छाया मा दैव पनि हार खान्छन मायामा छोडेउ चटक्कै ये छोडेउ चटक्कै , छोडेउ चटक्कै आह छोडेउ चटक्कै , छोडेउ चटक्कै तिम्रै झल्को ले मुटु कट्टकै ये छोडेउ चटक्कै , छोडेउ चटक्कै …२ तिम्रै झल्को ले मुटु कट्टकै मुटु उनैको कालेजो उनैको हेर यो छाती खोक्रो खोक्रो गुदी उनैको रस रंग उनैको हेर त यो मन बोक्रो बोक्रो हे रित्तिए बत्किए सक्किये को छ र माया नलाको चोखो कोछ र मायामा नरोको ड्राइभर होस या यात्री डाक्टर होस या रोगी राजा होस या जोगी सबै तिर छन माया को भोगी हे न हुनाले सम्बन्ध एकनास बनेको छ आशु को बेगनास छोडेउ चटक्कै ये छोडेउ चटक्कै , छोडेउ चटक्कै आह छोडेउ चटक्कै , छोडेउ चटक्कै तिम्रै झल्को ले मुटु कट्टकै ये छोडेउ चटक्कै , छोडेउ चटक्कै …२ तिम्रै झल्को ले मुटु कट्टकै हा हा हा हा हा हा हा हा धूपी को रुख जस्तो माया चाडनै गरो भूपी को कविता जस्तो माया पढ्नै गारो मन परेर येही अँखा जुधाइयो बिछोड भयो येयेहीहि अँखा रुझाइयो रुधै चित्त बुझाइयो को छ र माया नलाको छोखो को छा र माया ले नरोको जुन तारा देख्दा सरा तात्च परा के गरौँ खोइ मैं बिचार ये जल्छ मुटु निभाउँछन कसरी रुन्छन अँखा निदाउने कसरी छोडेऊ छट्टकै ये छोडेऊ छट्टकै, छोडेऊ छट्टकै आह छोडेऊ छट्टकै, छोडेऊ छट्टकै तिम्रै झल्को ले मुटु कट्टकै ये छोडेऊ छट्टकै, छोडेऊ छट्टकै …२ तिम्रै झल्को ले मुटु कट्टकै ये तिम्रै झल्को ले मुटु कट्टकै |
Damai MaharajPrakash Saput Maan, maan kai kura garchu maanai bata sunnu Mann, aafno maana kasto laau aafai le gunnu Maan ta huncha chanchal, maan ta huncha chulbul Mann lai fakauna parcha balak fakaye jhai Natra garcha sala balla Halla halla hala maan, halla halla hala Shanti Shree Pariyar (Eh radha piyari, khai ta Krishna Madhubanai ma Eh radha piyari, khai Madhubana Khoja maanai ma) x2 Prakash Saput Maan, maan mai huncha Krishna, mann mai Kansha pani Maan, maan mai hunchan Rama, Ravana ko aansha pani Maanai le soccha paapa, maanai le soccha dharma Jasto garincha karma, testai aaucha faala Halla halla hala maan, halla halla hala Shanti Shree Pariyar (Eh suna Parvati, khai ta Shiva Kailash parvat ma Eh suna Parvati, khai ta parvat Maan kai jagaat ma) x2 Prakash Saput Maan, kallai chaina dukha, kallai chaina pira Maan, karmai le dukha pira, dincha sabai tira Kaile sukha mathi, kaile dukha tala Kaile dukha mathi, kaile sukha tala Jeewan chakra mathi tala Halla halla hala maan, halla halla hala Maan, sabai cha bhanchan sansara ma, tara sabai chaina Maan, aafno maan aafai le bujhaune ho, maan ko dabaai chaina Roye pani jancha jeevan, hasey pani jancha jeevan Jeewan chola bagney khola bagcha sala sala Halla halla hala maan, halla halla hala Prakash Saput + Shanti Shree Pariyar Bola maya ek bachan bola Galbandi chatiyo timle tanera Timrai boli cha malai aanu Bolauna khojeko aafnai thanera |
Bujhina Maile(Shiraima sindur, Aahaha Gala ma pote, Aaha Dhoti ra choli, Aahaha Ghumto ra doli, Aaha)-2 Chham-chham hataika churale Ramjham ratai ka kura le Ma badhiyeki hu yaa Sajiyeki hu (Bujhina maile, Bujhai deu kasaile)-3 (Juna jasti re Phula jasti re Kanchan khola jharana ko Mula jasti re)-2 Ma boksi, Ma devi Ma darling, Ma baby Yo thari-thari nata le Yo sundara ko gatha le Ma badhiyeki hu yaa Sajiyeki hu (Bujhina maile, Bujhai deu kasaile)-3 |
Galbandi[Male] Hey bheta bhaiyo jhamakka sanjha maa Rakhchu tmlai yo dil ko majha maa Galbandi Galbandi chyatiyo timley taanera Bolauna khojeko afnai thanera Galbandi chyatiyo timley taanera Bolauna khojeko afnai thanera Haye haye Bolauna khojeko aafnai thanera Hey mailey yeta mann peta kholni Dhunga ho ki manchhey ho nabolni Galbandi Galbandi chyatiyo timley taanera Bolauna khojeko aafnai thanera Galbandi chyatiyo timley taanera Bolauna khojeko aafnai thanera Haye haye Bolauna khojeko aafnai thanera Hey gaideu geeta, kina vaau khaaki chhau Ki taw mukh maa pidalu rakhi chhau Galbandi Galbandi chyatiyo timley taanera Bolauna khojeko aafnai thanera Galbandi chyatiyo timley taanera Bolauna khojeko aafnai thanera Haye haye Bolauna khojeko aafnai thanera [Female] Hey bho bho kancha nagara aash mero Tyo dil maa hudaina baas mero Pachyauri Pachyauri chyatiyo timle tanera Fasauna nakhoja sojhi thanera Pachyauri chyatiyo timle tanera Fasauna nakhoja sojhi thanera Haye haye Fasauna nakhoja sojhi thaanera [Male] Hey yeta suna, tin taley ghar, sunai ko amthi chha Vana ma maa k chij ko kamti chha Galbandi Galbandi chyatiyo timley taanera Bolauna khojeko aafnai thanera Galbandi chyatiyo timley taanera Bolauna khojeko aafnai thanera Haye haye Bolauna khojeko aafnai thanera [Female] Hey nalau furti soon chaadi dhanai ko Timi ramro chainau rey manai ko pachyauri pachyauri chyatiyo timle tanera Fasauna nakhoja sojhi thhanera pachyauri chyatiyo timle tanera Fasauna nakhoja sojhi thhanera Haye haye Fasauna nakhoja sojhi thaanera [Male] Hey mann ko safa, roop ko ni thikai Anta kaha pauli ma jattikai Galbandi Galbandi chyatiyo timley tanera Bolauna khojeko aafnai thanera Galbandi chyatiyo timley tanera Bolauna khojeko aafnai thanera Haye haye Bolauna khojeko aafnai thanera [Female] Haa, ramri dekhey najar ley hanchhau Aafu jasto koi chhaina bhanthanchhau pachyauri pachyauri chyatiyo timley tanera Fasauna nakhoja sojhi thhanera pachyauri chyatiyo timley tanera Fasauna nakhoja sojhi thhanera Haye haye Fasauna nakhoja sojhi thaanera [Male] Ramro manchhey bhetauli jaha ni bhetaudinau mailey jhai chahani Galbandi Galbandi chyatiyo timley tanera Bolauna khojeko aafnai thanera Galbandi chyatiyo timley tanera Bolauna khojeko aafnai thanera Haye haye Bolauna khojeko aafnai thanera [Female] Haaa, mitho bolyau pagalyau mana ta Kati maya garchhau ra vana ta pachyauri pachyauri chyatiyo timley tanera Fasauna nakhoja sojhi thhanera pachyauri chyatiyo timley tanera Fasauna nakhoja sojhi thhanera Haye haye Fasauna nakhoja sojhi thaanera [Male] Hey kastaa thiye Madan ra Muna Garchhhu maya tyo vanda dui guna Galbandi Galbandi chyatiyo timley taanera Bolauna khojeko aafnai thanera Galbandi chyatiyo timley taanera Bolauna khojeko aafnai thanera Haye haye Bolauna khojeko aafnai thanera [Female] Haa sochey haula sajilai maan chha Kun film ko dialogue ho ye kanchha pachyauri pachyauri chyatiyo timley tanera Fasauna nakhoja sojhi thhanera pachyauri chyatiyo timley tanera Fasauna nakhoja sojhi thhanera Haye haye Fasauna nakhoja sojhi thaanera [Male] Hey, Patyaudainau?, na kitab ko, na ta chalchitra ko Sacho bolchhu yo mutu vitra ko Galbandi Galbandi chyatiyo timley tanera Bolauna khojeko aafnai thanera Galbandi chyatiyo timley tanera Bolauna khojeko aafnai thanera Haye haye Bolauna khojeko aafnai thanera [Female] Hey gaauda gaaudai aaja raat bityo Mirmirey maa maya le mann jityo pachyauri pachyauri chyatiyo timley tanera Fasauna nakhoja sojhi thhanera pachyauri chyatiyo timley tanera Fasauna nakhoja sojhi thhanera Haye haye Fasauna nakhoja sojhi thanera |
PirBasne lai pir parera huna samma bha cha Jane lai najau bhanna nasakine racha Basne lai pir parera huna samma bha cha Jane lai najau bhanna nasakine racha Timro maya le malai pir diyo, hoo Timro maya le malai pir diyo Kamalo mutu ho kamalo chhati Kamalo mutu ho kamalo chhati Chir diyo chir diyo Timro maya le malai pir diyo Timro maya le malai pir diyo Aaiya aaiya, aaiya aaiya Huda timi para para Chati chara chara Phool tipera dinthey tara Yo man khushi cha ra Huda timi para para Chati chara chara Phool tipera dinthey tara Yo maan khushi cha ra Timro maya le malai pir diyo, hoo Timro maya le malai pir diyo Kamalo mutu ho kamalo chhati Kamalo mutu ho kamalo chhati Chir diyo, chir diyo Timro maya le malai pir diyo, hoo Timro maya le malai pir diyo Abhab abhab le hamro ghati athayo Paristhiti le malai pardesh pathayo Abhab abhab le hamro ghati athayo Paristhiti le malai pardesh pathayo Timro maya le malai pir diyo, hoo Timro maya le malai pir diyo Kamalo mutu ho kamalo chhati hoi Kamalo mutu ho kamalo chhati Chir diyo, chir diyo Timro maya le malai pir diyo Timro maya le malai pir diyo Aaiya aaiya, aaiya aaiya Pir bisaune thauai paina Kaa chautari chinaum Munchey banna muskil bhayo K bhanera hinam Pir bisaune thauai paina Kaa chautari chinaum Munchey banna muskil bhayo K bhanera hinam Timro maya le malai pir diyo, hoo Timro maya le malai pir diyo Kamalo mutu ho kamalo chhati hoi Kamalo mutu ho kamalo chhati Chir diyo, chir diyo Timro maya le malai pir diyo oh Timro maya le malai pir diyo Aaiya aaiya, aaiya aaiya Eutai ghatna koi lai faida Koi lai bhayo haani Katai maryo aatma samaan Katai swabhimaani Eutai ghatana koi lai faida Koi lai bhayo hani Katai maryo aatma samman Katai swabhimaani Timro maya le malai pir diyo, hoo Timro maya le malai pir diyo Kamalo mutu ho kamalo chhati hoi Kamalo mutu ho kamalo chhati Chir diyo, chir diyo Timro maya le malai pir diyo oh Timro maya le malai pir diyo Aaiya aaiya, aaiya aaiya Aafnai bichar bairi bhayo Kaa jaum kata bhagaau Jyaan kai baji thapeko thiye Kalai hisab magau Aafnai bichar bairi bhayo Kaa jaum kata bhagaau Jyaan kai baji thapeko thiye Kalai hisab magau Timro maya le malai pir diyo, hoo Timro maya le malai pir diyo Kamalo mutu ho kamalo chhati hoi Kamalo mutu ho kamalo chhati Chir diyo, chir diyo Timro maya le malai pir diyo oh Timro maya le malai pir diyo Aaiya aaiya, aaiya aaiya Desh bhannu ta k raicha ra Chaar killa ko mato Tei mato ni unkoi matrai Jo chaan taatho baatho Timro maya le malai pir diyo, hoo Timro maya le malai pir diyo Kamalo mutu ho kamalo chhati hoi Kamalo mutu ho kamalo chhati Chir diyo, chir diyo Timro maya le malai pir diyo oh Timro maya le malai pir diyo Aaiya aaiya, aaiya aaiya |
Reference
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